Review by Derrick Carter
Running Time: 1 hour 55 minutes
MPAA Rating: R for Strong Violence and Language
Directed by: Simon West
Written by: Scott Rosenberg
Starring: Nicolas Cage, John Cusack, John Malkovich, Steve Buscemi, Ving Rhames, Colm Meaney, Danny Trejo, M.C. Gainey, Nick Chinlund & Dave Chappelle
Even though the 80s was home to lots of cheesy R-rated action flicks, the 90s seemed bound and determined to churn out increasingly ridiculous action entertainment. Originally released in the same month as another outrageous Nicolas Cage action vehicle FACE/OFF, CON AIR is a crazy ride. It’s stupid and ludicrous, but it’s also funny and enjoyable. The material’s cheesiness lends to the entertainment factor as we get one hell of a cast, competently directed action, and unrealistically high stakes. If you want explosions and Nicolas Cage (in a mullet, trying to pull of a bad accent), then CON AIR is for you.
After killing a man to protect his wife, Army Ranger Cameron Poe (Nicolas Cage) has been handed a ten-year prison sentence. Being a good guy at heart, Poe quietly serves his time and waits to go home to his loving wife and daughter (who doesn’t know him yet, but still writes him adorable letters). When he’s granted parole, Poe boards the massive prison aircraft Jailbird. Things go awry when the evil madman “Cyrus the Virus” (John Malkovich) and the rest of the dangerous convicts wind up taking over the plane. If he wishes to ever see his wife again and hopes to save some lives in the process, Poe will have to carefully help take down the prisoner-hijacked plane. Meanwhile, U.S. Marshal Vince Larkin (John Cusack) attempts to stop folks from simply blowing up the plane.
CON AIR is stupid, ridiculously stupid. There’s the whole prisoner revolt sequence, which seems to rely on an unlikely series of coincidences (with a prisoner smuggling gasoline on board) and a series of easily-accessible levers. As if the hijacked airplane wasn’t enough for the plot’s high stakes, they also throw in a subplot about Poe’s cellmate being diabetic and all of the syringes on the plane being smashed. To boot, the laws of physics are frequently defied and you know what? All of this stupidity and the sheer ridiculous nature of the film are the bombastic fun to watch! This is a big dumb popcorn movie and doesn’t aspire to be anything more than that.
As the heroic Poe, Nicolas Cage has horribly wooden line delivery and evokes a cheesiness that remains unrivaled in his filmography. Cage’s serious moments are hilarious and they’re not supposed to be. He also sports the worst mullet in the world and tries to pull of a terrible Southern accent (which downright disappears during a few scenes). As a so-so supporting character, John Cusack sweats on the ground level and gets involved in the finale when the action leaves the confines of the plane. Colm Meaney plays a hot-headed higher-up and adds to the tension as he seems just a tad too trigger-happy.
The convicts are the real show-stealers though, because each one of these colorful characters adds something memorable to the film. Ving Rhames plays intimidating gangster henchman Diamond Dog, while Danny Trejo (who was once a real-life convict) has the role of a rape-happy thug. M.C. Gainey is a huge highlight as hyperactive pilot prisoner “Swamp Thing” and delivers one of the cheesiest jokes in the entire film. There’s also a miscast Dave Chappelle as junkie “Pinball.” Steve Buscemi stars as serial killer Garland Greene (whose murders make the Manson Family look like the Partridge Family), coming off as both creepy and unexpectedly funny. John Malkovich gives the best performance in the film as “Cyrus the Virus.” He’s such an entertaining baddie and his death scene is probably one of my favorite action deaths ever (as it goes on for a while and he bites it in three increasingly over-the-top ways).
In terms of action, CON AIR never once gets repetitive. There are one-on-one fights, plane crashes, car chases, explosions, midair combat, and showdowns in various locations. The film is also shot in a way wherein the viewer can make out what the hell is going on and which characters are giving/receiving the blows/bullets. To say that the film gets over-the-top in its action would be a huge understatement as one scene has a broken propeller flying between Cage and Malkovich…to break up their confrontation in the most insane way possible.
CON AIR has lots of goofy details and obvious flaws. There’s the silly performance from Nicolas Cage and the colorful prisoners (who all contribute to the humor and action). The film’s soundtrack seems downright strange in places (Trisha Yearwood’s “How Do I Live” is incredibly out-of-place for this film, but still received an Oscar nomination) and the same guitar riff is played around a hundred times throughout the score. For all of its faults and stupidity, CON AIR is fun and succeeds at being entertaining from start to finish. If you’re into action movies (especially ridiculous ones) and you haven’t seen CON AIR, you owe it to yourself to sit through this one!