INSURGENT (2015)

Review by Derrick Carter

Running Time: 1 hour 59 minutes

MPAA Rating: PG-13 for Intense Violence and Action throughout, some Sensuality, Thematic Elements and brief Language

Insurgent poster

Directed by: Robert Schwentke

Written by: Brian Duffield, Akiva Goldsman & Mark Bomback

(based on the novel INSURGENT by Veronica Roth)

Starring: Shailene Woodley, Theo James, Octavia Spencer, Jai Courtney, Ray Stevenson, Zoe Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Naomi Watts, Kate Winslet, Mekhi Phifer & Ashley Judd

I was not a fan of DIVERGENT. That movie felt like an overly derivative mess that didn’t have a satisfying story, was filled with bland characters, and lowered even further by a cliché-ridden script. I really, truly hated DIVERGENT. So why am I reviewing INSURGENT? Apparently, I’m a glutton for punishment and asked people on Facebook if they wanted me to keep covering the series until its conclusion. They said yes, so here I am. INSURGENT is slightly better than DIVERGENT. It’s shorter, doesn’t waste time with unnecessary set-up, and manages to smuggle in a couple of cool action scenes. However, new problems arise in really stupid plot developments and eye-rolling moments that give Edward and Bella some competition for most unconvincing couple of the new millennium.

Insurgent 1

When last we left the land of DIVERGENT, Tris’s parents had been killed, the fabric of an unstable class system was in question, and our group of fugitive heroes had escaped from the clutches of the evil Jeanine. Tris, Four (Tris’s lover), Peter (Tris’s nemesis) and Caleb (Tris’s brother) are hiding out in peaceful territory, but soon find themselves being ruthlessly chased by Jeanine and the Dauntless. It turns out that Jeanine (or as someone has referred to her, Female President Snow) has recovered an important artifact that can only be opened by a powerful Divergent. As Tris’s few surviving loved ones are threatened, this teenage heroine discovers that she’s the only hope of opening this artifact. That’s pretty much the plot right there. There are action scenes and encounters with other Factions, but INSURGENT has about as much going on as DIVERGENT did plot-wise. It’s familiar and basic stuff that’s made to look overly complicated and unnecessarily convoluted.

Insurgent 2

INSURGENT thankfully doesn’t bother giving us a flashback set-up sequence, but still packs in plenty of young-adult clichés all over the place. The characters remain hollow and the cast appears to know that they’ve moved on to bigger things since DIVERGENT. Shailene Woodley (FAULT IN OUR STARS) is a one-note action heroine as Tris and still manages to garner plenty unintentional laughter on occasion, but also looks bored with the material she’s been given. Ansel Elgort is a woeful coward stereotype and doesn’t get a significant amount of screen time. Naomi Watts and Kate Winslet both seem present only to pick up an easy paycheck, though Blanchett gives the best performance of the whole film. The biggest blow comes in Miles Teller as the lame comic relief character who mainly serves as a convenient trigger for two plot points. Teller has recently come off of the amazing WHIPLASH and I couldn’t help but feel bad for the guy for starring in this sequel.

Insurgent 3

INSURGENT’s visuals look good and more focus is placed on the post-apocalyptic world this time around. The ideas are still dumb and overused, but watching a crumbling futuristic society was slightly more interesting than watching a teenage girl try to become a member of a club…I mean, Faction. Though there isn’t an abundance of them, INSURGENT has good action scenes. I was enjoying myself during a shoot-out, a well-done chase scene and simulations that are the best scenes in the film. This being said, there are still lots of unintentional laugh-out-loud bits. My favorite of which involved Four yelling at someone “My name is Four!” and walking away from a dinner table like a pouty brat who constantly whines about nobody understanding them. In all honesty, that might be a portion of the film’s target audience though.

Insurgent 4

The bad doesn’t stop there as the script feels downright lazy. This was based on a novel and I understand that part of these story problems birth from unoriginal source material, but there’s no excuse for how poorly written some of this stuff is. For example, there’s a huge plot point hinging on what’s inside this artifact and this is frequently brought up throughout two hours. When it’s ultimately revealed, it’s very underwhelming (not that I was expecting much to begin with) and insulting to the viewer. The discovery also more than reminded me a little of a certain other young-adult adaptation that came out last September, where that reveal also felt like a cop-out. I rolled my eyes so much during INSURGENT that I bordered on a possible hazard of vision problems.

Insurgent 5

Going off the last note of INSURGENT, I’m really not sure what else of this story needs to or can be told. This opinion stems partially from just how bad these first two movies have been, but also because I really don’t think there’s much more of a story left to tell (let alone for TWO more films!). Seeing as HUNGER GAMES is ending this year, the young-adult void has been momentarily filled by the DIVERGENT series and THE MAZE RUNNER, though I’m really looking forward to the upcoming I AM NOT A SERIAL KILLER. INSURGENT manages to be a miniscule hair above DIVERGENT in running time, but it’s just as convoluted and poorly executed as the first film. Now I’ll just go back to pretending that this series doesn’t exist until ALLEGIANT: Part 1 (of course!) hits next March.

Grade: D

DIVERGENT (2014)

Review by Derrick Carter

Running Time: 2 hours 19 minutes

MPAA Rating: PG-13 for Intense Violence and Action, Thematic Elements and some Sensuality

Divergent poster

Directed by: Neil Burger

Written by: Evan Daugherty & Vanessa Taylor

(based on the novel DIVERGENT by Veronica Roth)

Starring: Shailene Woodley, Theo James, Ansel Elgort, Ray Stevenson, Kate Winslet, Zoe Kravitz, Maggie Q, Mekhi Phifer, Jai Courtney, Miles Teller, Tony Goldwyn & Ashley Judd

The vast well of material found in young adult fiction has been used a lot in the past few years. Since TWILIGHT was coming to a close and HARRY POTTER ended a decade-long reign at the box office, studios have been searching for the next big franchise to target the teenage demographic. THE HUNGER GAMES has become the new champion, but that isn’t stopping big budget attempts to start new film series out of any middle-school-oriented novel that comes out. Take for example the latest in this trend, DIVERGENT. Despite some shaky looking promotional material for this film, I was optimistic that it might be a good flick. After all, the book was so immensely popular that people had to be seeing something in the material. This all being said, DIVERGENT is a jumbled mess of scrambled parts from other (mostly more successful) plots that we’ve seen in the last few years.

Divergent 1

In a dystopian future, Chicago is the city left standing. The general population is separated into five separate groups (ala THE HUNGER GAMES) to keep the peace. Each citizen goes through a test that shows them which group best suits their personality. Tris is the teenage daughter in a family that belong to the vegan/hippie faction of society. Upon taking the test, it turns out that she’s a Divergent. This label is placed on individuals seen as a threats because they test positive for all five factions. Tris keeps this to herself and decides to join the law enforcement faction. This tests both her physical endurance and her mental strength. Bullied by some and facing the possibility of winding up factionless (e.g. homeless), Tris goes through rigorous training to find a place in her new faction. She also falls in love with Four (one of her trainers). The two do their best to avoid suspicion of Tris’s Divergent nature as an escalating war is on the horizon between factions.

Divergent 2

The ideas behind the plot of DIVERGENT aren’t bad ones. We’ve seen many of these clichéd scenarios in recent years (e.g. THE MORTAL INSTRUMENTS, THE HOST, ENDER’S GAME, BEAUTIFUL CREATURES, I AM NUMBER FOUR, etc.). It’s the construction of the whole affair that’s a convoluted mess. In THE HUNGER GAMES series, ENDER’S GAME, and (hell, even) THE HOST, the dystopian future was explored just enough to satisfy the curiosity of the viewer. In DIVERGENT, the script seems focused on the wrong elements of the story. This is a dystopian society, but there are still tattoo parlors in underground dwellings (I almost laughed out loud when I saw this). A lot of things don’t make any sense in this world recovering from a supposed apocalyptic war. To add insult to injury, a whole lot of sappy pop songs make up the soundtrack. What else can you expect from a film whose target demographic is teenage girls?

MCDDIVE EC005

I would equate a majority of DIVERGENT to the recent adaptation of ENDER’S GAME. Imagine if that film had been based purely on Ender’s training for the war and hadn’t had a satisfying payoff. That’s exactly what DIVERGENT does and why it fails at being compelling. You could have summed up half of the film in 10 or 20 minutes. Even a montage would have been more satisfying. The movie adaptation feels that every single stage of Tris’s training is essential to watch. This makes for an over-two-hour running time that feels far longer than it should in every possible way. This might make for a compelling read, but as a film there’s plenty of editing that was needed. It’s not interesting to watch a teenage girl train for most of a movie where far more exciting events felt glossed over in the final third.

MCDDIVE EC025

The less said about performances and character, the better. Some tired clichés are used in the fast-paced ridiculous climax of the film. In fact, one of them is used twice (with unintentionally hilarious results). There are also discussions of politics and a deeper meaning that isn’t nearly as deep as some people claim it is. The message of how dangerous conformity can be was hammered in frequently. There were about three speeches (two of which were delivered from a scenery chewing Kate Winslet) preaching about the evils of free will and human nature. Had it not been for the giggling overly excited teenage girls in the packed auditorium, I was tempted to yell at the screen “We get it! Be more subtle!” That is the kind of film DIVERGENT is though. It’s the kind of movie that has its target audience cheering during so-called fight scenes, clapping as the end credits roll, and one girl notably yelled “Yes!” when a predictable kiss came. It’s successful in that sense, but that doesn’t make it a good movie!

Divergent 5

Perhaps, I might be optimistic in INSURGENT (coming out next year, because Lionsgate is pumping this franchise without even knowing how successful it will wind up being). After all, I liked CATCHING FIRE a whole lot more than the first HUNGER GAMES. In the first 30 minutes, I thought that DIVERGENT was a decent enough flick rounding about a C+. By about an hour in, that grade had been lowered to a C-. By the time the melodramatic, downright terrible film concluded it was at a…

Grade: D

Blog at WordPress.com.

Up ↑