Review by Derrick Carter
Running Time: 2 hours 2 minutes
MPAA Rating: R for Strong Graphic Violence and some Language
Directed by: Joel Coen & Ethan Coen
Written by: Joel Coen & Ethan Coen
(based on the novel NO COUNTRY FOR OLD MEN by Cormac McCarthy)
Starring: Tommy Lee Jones, Josh Brolin, Javier Bardem, Kelly Macdonald, Woody Harrelson, Garret Dillahunt, Tess Harper, Barry Corbin, Beth Grant & Stephen Root
Throughout their filmography, the Coen brothers have written and directed plenty of great films. It wouldn’t be a stretch to list them amongst the greatest filmmakers working today and their crowning cinematic achievement will likely go down as their adaptation of Cormac McCarthy’s novel NO COUNTRY FOR OLD MEN. This ultra-bleak cat-and-mouse thriller won four Academy Awards and is frequently listed as one of the best films of the 2000’s. As a fan of the Coen brothers, a person who frequently indulges on dark thrillers, and an admirer of cinema as art, I have to say that NO COUNTRY FOR OLD MEN is one of my favorite films.
In 1980’s Texas, Vietnam war veteran Llewelyn Moss (Josh Brolin) is hunting when he stumbles across a drug deal gone bad. Amongst the blood, corpses and bullet shells, Llewelyn finds two million dollars and one thirsty survivor. After he steals the money and feels guilty about leaving the dehydrated man behind, Llewelyn returns to deliver a gallon of water and finds himself on the run from very dangerous people who want their stolen cash back. Though gun-wielding Mexicans and a good ol’ boy bounty hunter (Woody Harrelson) are searching for Moss, his main hunter is psychopathic Anton Chigurh (Javier Bardem). Moss and Chigurh find themselves in an increasingly deadly game of cat-and-mouse, all while aging Sheriff Ed Tom Bell (Tommy Lee Jones) chases both men.
NO COUNTRY FOR OLD MEN has many amazing qualities, one of the biggest easily comes in stellar performances across the board. Josh Brolin makes Llewelyn Moss into a likable protagonist, even if he makes a few bone-headed decisions. The entire plot is thrust forward by Moss making one giant mistake and it becomes a blood-soaked cautionary tale. Tommy Lee Jones delivers the most restrained performance of the film as the close-to-retirement sheriff, who’s sickened by the increasing violence and crime of the world. The film’s title mostly derives from Tommy Lee Jones’s character’s sullen storyline and the plot’s heavier philosophical content is packed into his scenes.
Woody Harrelson is charismatic as the cocksure bounty hunter, while Kelly Macdonald is convincingly naïve as Moss’s wife. The film’s scariest performance arrives in the form of Javier Bardem’s Anton Chigurh. This lunatic kills unfortunate souls in unique ways (e.g. cattle-gun, handcuffs employed as a deadly weapon, sound-suppressed shotgun) and is 100% terrifying. Bardem’s deliberate line delivery and dead-eyed stare create a foe that’s simply hard to read, which makes him even scarier. Chigurh also has a twisted set of principles that are never fully revealed to the viewer, but we see life-or-death coin tosses and chance encounters that end on quietly menacing notes (the “do you see me?” scene sends chills down my spine).
Though its set-up is simple, NO COUNTRY FOR OLD MEN packs in plenty of deeper meanings, careful background details, and parallels between characters that are likely to be analyzed by viewers in many different ways. The quiet ending (that seemingly arrives out of nowhere) is sure to throw a few people for a loop, but I really enjoy how it book-ends the film alongside opening narration that sets up the violence to come. As far as background details go, small things like wires that resemble like nooses in a convenience store owner, Chigurh’s cattle-centric main weapon of choice, and a phone ringing as a symbol of death calling come into play. There’s also one distinct scene that’s repeated between Moss and Chigurh that surely means something, though I’m not entirely sure what.
Besides being pure pleasure for arthouse-loving cinephiles, NO COUNTRY FOR OLD MEN functions just as perfectly as a modern western thriller. The violence is shocking and the tension is so thick that you could cut it with a knife. Most of NO COUNTRY functions without a musical score, which makes the stellar sound design and every line of cleverly constructed dialogue stick out that much more. The film also takes ambiguous turns that let the audience fill in the blank. There are moments that may not suit every viewer’s cinematic cravings, but NO COUNTRY’s unconventional storytelling seems to work for a bigger audience than most arthouse dramas would typically appeal towards.
When I was in high school, NO COUNTRY FOR OLD MEN was one of the most intense books I ever read. Through sheer filmmaking prowess and careful eyes behind the camera, the Coen brothers masterfully translated Cormac McCarthy’s simple-yet-profound tale into a masterpiece of a movie. The suspense and fast-paced action will please those who want a modern western thriller, while the deeper meanings and carefully placed dialogue will thrill serious film lovers. NO COUNTRY FOR OLD MEN is easily one of the best films from the 2000s and definitely belongs somewhere in my top 20 all-time favorite movies!