Review by Derrick Carter
Running Time: 1 hour 58 minutes
MPAA Rating: R for Strong Violence and Language throughout
Directed by: Patrick Hughes
Written by: Tom O’Connor
Starring: Ryan Reynolds, Samuel L. Jackson, Gary Oldman, Elodie Young, Salma Hayek & Yuri Kolokolnikov
The trailers for THE HITMAN’S BODYGUARD promised three things: Samuel L. Jackson, Ryan Reynolds, and explosions. I like Samuel L. Jackson. I like Ryan Reynolds. I also enjoy explosions. Lucky for me, THE HITMAN’S BODYGUARD pretty much delivers on its promises of lots of bickering between Jackson and Reynolds, set alongside occasionally rousing action. THE HITMAN’S BODYGUARD is tepidly enjoyable. I wish the overall film was more entertaining and funny, but it’s okay enough for what it is.
Michael Bryce (Ryan Reynolds) was a top-tier bodyguard until one of his targets was horribly assassinated. Ever since that tragic event, Michael has been regulated to bottom-of-the-barrel bodyguard status. Darius Kincaid (Samuel L. Jackson) is a hitman who’s killed well over 200 people and enjoys his violent line of work. Darius is also the only person who can put brutal Belarusian dictator Vladislav Dukhovich (Gary Oldman) behind bars. Darius needs to be at a Netherlands courtroom by a certain time or the international case against Vladislav will be thrown out. A reluctantly bitter Michael is dragged into protecting Darius’ life. Together, the mismatched pair dodge bullets, get chased by cars, and scream profanity at each other. If the bad guys don’t kill them, they might just wind up killing each other…or become oddball friends. You already know how these buddy action comedies tend to work.
HITMAN’S BODYGUARD’s best quality is the chemistry between Reynolds and Jackson. Both of these actors are great at generating laughs and seeing them paired together is pretty damn enjoyable by itself. Ryan Reynolds mostly serves as the straight man and his frequent agitation at the increasingly dire situation is amusing. Samuel L. Jackson spews his expectedly excessive profanity (including a constant use of “motherfucker”). Jackson also seems to be having a complete blast at this deadly, ultra-sarcastic hitman. The film even manages to milk some good character development between Reynolds and Jackson as their reluctant friendship evolves.
On the negative side of things, THE HITMAN’S BODYGUARD is noticeably unbalanced in its tone. Gary Oldman plays a stone-cold dictator and his introductory moment includes the brutal execution of a man’s family. In an action-comedy, this entire scene feels too bleak. The film frequently cuts to this main villain being a genocidal dictator who is accused of “ethnic cleansing.” We see photos of mass graves and this all seems mighty depressing for what’s mostly trying to be a light-hearted action comedy. Oldman’s performance is straight-faced and serious too, which certainly seems to throw a wrench into the fun factor. The script’s darker spots drastically put a damper on some of the potential enjoyment to be had.
Besides a tone that seemingly doesn’t know what it wants to be, this film also runs a tad too long in the tooth. HITMAN’S BODYGUARD is just barely under two hours long and it feels like 25 minutes could have easily been shaved off this entire experience for a tighter running time. There’s a love-interest plot between Ryan Reynolds’ character and Elodie Young’s bland Interpol agent that feels tacked on, but Penelope Cruz gets a couple of decent scenes in as Kincaid’s equally violent wife.
HITMAN’S BODYGUARD ranges in its action sequences. A few potentially exciting spots are compromised by choppy editing and shaky camera work. This mainly arrives during the opening 30 minutes and one car chase. Not every action scene is ruined by bad editing though, because there are a handful of cool bits. An early confrontation between Jackson and Reynolds is equally funny and tense as they go at it with fists and guns. There’s also a moment where Reynolds deals with a thug in a hardware store and this very violent (but oddly goofy) sequence ranks as the best fight in the entire film.
THE HITMAN’S BODYGUARD is generic in terms of its plot and the tone seems to awkwardly shift between exciting/funny to needlessly dark/depressing. However, there’s still entertainment to be had in watching Ryan Reynolds and Samuel L. Jackson play off each other in swear-filled verbal sparring matches. The action also squeezes in some cool sequences. If you’re sold on the idea of Ryan Reynolds and Samuel L. Jackson in a buddy action-comedy, then you’ll likely have some fun with THE HITMAN’S BODYGUARD. If that idea doesn’t interest you at all, then you’re not missing out on much.