THE HITMAN’S BODYGUARD (2017)

Review by Derrick Carter

Running Time: 1 hour 58 minutes

MPAA Rating: R for Strong Violence and Language throughout

Directed by: Patrick Hughes

Written by: Tom O’Connor

Starring: Ryan Reynolds, Samuel L. Jackson, Gary Oldman, Elodie Young, Salma Hayek & Yuri Kolokolnikov

The trailers for THE HITMAN’S BODYGUARD promised three things: Samuel L. Jackson, Ryan Reynolds, and explosions. I like Samuel L. Jackson. I like Ryan Reynolds. I also enjoy explosions. Lucky for me, THE HITMAN’S BODYGUARD pretty much delivers on its promises of lots of bickering between Jackson and Reynolds, set alongside occasionally rousing action. THE HITMAN’S BODYGUARD is tepidly enjoyable. I wish the overall film was more entertaining and funny, but it’s okay enough for what it is.

Michael Bryce (Ryan Reynolds) was a top-tier bodyguard until one of his targets was horribly assassinated. Ever since that tragic event, Michael has been regulated to bottom-of-the-barrel bodyguard status. Darius Kincaid (Samuel L. Jackson) is a hitman who’s killed well over 200 people and enjoys his violent line of work. Darius is also the only person who can put brutal Belarusian dictator Vladislav Dukhovich (Gary Oldman) behind bars. Darius needs to be at a Netherlands courtroom by a certain time or the international case against Vladislav will be thrown out. A reluctantly bitter Michael is dragged into protecting Darius’ life. Together, the mismatched pair dodge bullets, get chased by cars, and scream profanity at each other. If the bad guys don’t kill them, they might just wind up killing each other…or become oddball friends. You already know how these buddy action comedies tend to work.

HITMAN’S BODYGUARD’s best quality is the chemistry between Reynolds and Jackson. Both of these actors are great at generating laughs and seeing them paired together is pretty damn enjoyable by itself. Ryan Reynolds mostly serves as the straight man and his frequent agitation at the increasingly dire situation is amusing. Samuel L. Jackson spews his expectedly excessive profanity (including a constant use of “motherfucker”). Jackson also seems to be having a complete blast at this deadly, ultra-sarcastic hitman. The film even manages to milk some good character development between Reynolds and Jackson as their reluctant friendship evolves.

On the negative side of things, THE HITMAN’S BODYGUARD is noticeably unbalanced in its tone. Gary Oldman plays a stone-cold dictator and his introductory moment includes the brutal execution of a man’s family. In an action-comedy, this entire scene feels too bleak. The film frequently cuts to this main villain being a genocidal dictator who is accused of “ethnic cleansing.” We see photos of mass graves and this all seems mighty depressing for what’s mostly trying to be a light-hearted action comedy. Oldman’s performance is straight-faced and serious too, which certainly seems to throw a wrench into the fun factor. The script’s darker spots drastically put a damper on some of the potential enjoyment to be had.

Besides a tone that seemingly doesn’t know what it wants to be, this film also runs a tad too long in the tooth. HITMAN’S BODYGUARD is just barely under two hours long and it feels like 25 minutes could have easily been shaved off this entire experience for a tighter running time. There’s a love-interest plot between Ryan Reynolds’ character and Elodie Young’s bland Interpol agent that feels tacked on, but Penelope Cruz gets a couple of decent scenes in as Kincaid’s equally violent wife.

HITMAN’S BODYGUARD ranges in its action sequences. A few potentially exciting spots are compromised by choppy editing and shaky camera work. This mainly arrives during the opening 30 minutes and one car chase. Not every action scene is ruined by bad editing though, because there are a handful of cool bits. An early confrontation between Jackson and Reynolds is equally funny and tense as they go at it with fists and guns. There’s also a moment where Reynolds deals with a thug in a hardware store and this very violent (but oddly goofy) sequence ranks as the best fight in the entire film.

THE HITMAN’S BODYGUARD is generic in terms of its plot and the tone seems to awkwardly shift between exciting/funny to needlessly dark/depressing. However, there’s still entertainment to be had in watching Ryan Reynolds and Samuel L. Jackson play off each other in swear-filled verbal sparring matches. The action also squeezes in some cool sequences. If you’re sold on the idea of Ryan Reynolds and Samuel L. Jackson in a buddy action-comedy, then you’ll likely have some fun with THE HITMAN’S BODYGUARD. If that idea doesn’t interest you at all, then you’re not missing out on much.

Grade: C+

LIFE (2017)

Review by Derrick Carter

Running Time: 1 hour 44 minutes

MPAA Rating: R for Language throughout, some Sci-Fi Violence and Terror

Directed by: Daniel Espinosa

Written by: Rhett Reese & Paul Wernick

Starring: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare & Olga Dihovichnaya

When I first saw the trailer for LIFE, I thought it strongly resembled a certain 1979 horror classic. I’m sure that some studio executives felt the same way, because they quickly swapped the film’s release date from May to March in order to avoid competing with a prequel to that 1979 horror classic. My hopes weren’t exactly high for this film because it seemed derivative and unoriginal from premise to promotional material. However, I decided to give LIFE a shot and surprisingly enjoyed this film. It’s not mindblowing or terrifying, but it’s a fun little sci-fi horror romp with loads of good qualities.

The ISS (International Space Station) is manned by a tight six-person crew and they’ve recently undertaken a mission to retrieve a soil sample from Mars. Wouldn’t you know it, the red planet’s dirt contains a bit of alien DNA. With some experimentation, one scientist manages to resurrect a cell and it becomes a rapidly evolving organism. Unfortunately for the ISS crew, the organism (nicknamed “Calvin”) reveals deadly tendencies and begins to run amok. In order to save themselves and the human race, the ISS crew will have to kill Calvin before it kills them.

That plot description might not sound like the most intriguing thing in the world because LIFE is like ALIEN crossed with THE BLOB. However, there’s pleasure to be taken from that as this B-movie material is executed with A-grade effort. The effects are top-notch as “Calvin” frequently shapeshifts depending on his growth and environment. This monster resembles more of a plant/squid hybrid than any straight-up horrific beast. “Calvin” is beautiful to look at, which makes his bloody rampage even more cool to watch. The creature design was based on a cross between actual fungus and moss found in nature, so there’s even an extra bit of realism to this threat.

Concerning “Calvin’s” actions, LIFE embraces its R rating with gleefully memorable kills. This isn’t a total gorefest, but things get very violent and (at points) disturbing. A couple of the film’s best deaths take a less-is-more approach, letting our imagination fill in the most graphic bits and giving us enough on-screen details to confirm our worst fears. There’s also a stellar sequence in outer space that sees a uniquely twisted demise. Basically, LIFE is a slasher film crossed with a creature feature and its entertaining when taken as either of those things or a combination of both.

As far as the ISS crew members go, LIFE fumbles the character development a bit as these people are mostly one-note stereotypes. The performances from a talented bunch of actors make them likable enough, but there’s next to nothing to them. Sure, there have ham-fisted attempts to flesh them out a bit. Jake Gyllenhaal reads from a children’s book, Rebecca Ferguson is a hard-ass with a penchant for protocols, Ryan Reynolds is his usual sarcastic self, Hiroyuki Sanada is a new father, Ariyon Bakare is a scientist who has insights on the creature, and Olga Dihovichnaya is the Russian one. However, there simply isn’t much to these thin characters…other than being lambs to the slaughter.

LIFE has its fair share of familiarity and clichés. There are attempts to kill “Calvin” that are directly lifted from the ALIEN series (complete with flamethrowers, ship thrusters, and air vents). However, these are made up for by the monster being so damn interesting and effective tension that’s built up with a skillful eye behind the camera. I’m also going to praise the hell of out this film’s ending, because, holy shit, this conclusion is awesome! I loved the final minutes and found them to be effectively haunting. It was the meanest possible way to end this story and I applaud the screenwriters’/director’s viciousness in having the balls to go there.

Overall, LIFE isn’t exactly original, but the ALIEN mixed with THE BLOB storyline provides plenty of entertainment on its own merits. Throw in a cast that breathe likability into rather dull characters, lots of effective tension that overcomes the clichéd familiarity, and one of the freakiest aliens to hit the big screen in quite some time, then you’ve got yourself a winner. LIFE is shockingly good and I give it a hearty recommendation for those who are craving a cool creature feature.

Grade: B

SMOKIN’ ACES (2007)

Review by Derrick Carter

Running Time: 1 hour 48 minutes

MPAA Rating: R for Strong Bloody Violence, Pervasive Language, some Nudity and Drug Use

Directed by: Joe Carnahan

Written by: Joe Carnahan

Starring: Jeremy Piven, Ryan Reynolds, Martin Henderson, Ray Liotta, Andy Garcia, Tommy Flanagan, Alicia Keys, Common, Taraji P. Henson, Nestor Carbonell, Chris Pine, Kevin Durand, Maury Sterling, Jason Bateman, Ben Affleck, Vladimir Kulich, Peter Berg, Joel Edgerton & Matthew Fox

Playing out like a Tarantino imitation that’s just snorted a heavy dose of cocaine, SMOKIN’ ACES is not a traditionally good movie. It’s ludicrous, over-the-top, and pushes excess for the sake of excess. However, it’s a whole lot of fun. This is a big guilty pleasure of mine that doesn’t deserve the bad rep that it usually receives. I’d go as far as calling this high-octane action-comedy-thriller an underrated gem. Its flaws actually make for part of its charm. This was one of my favorite films in high school (so there’s definitely nostalgia here), but having recently rewatched it for the first time in years, I have to say that SMOKIN’ ACES is a gory good time that consists of bullets, blood and rock-and-roll.

FBI Agents Messner (Ryan Reynolds) and Carruthers (Ray Liotta) have been placed on a special extraction mission. Their team is close to cracking open one of the biggest mob busts in history and their entire case hinges on the testimony of Las Vegas performer-turned-snitch Buddy “Aces” Israel (Jeremy Piven). Not wanting to be exposed, the mafia has put out a 1-million-dollar price for Israel’s heart. This ginormous paycheck attracts various undesirables, including: three psychopath neo-Nazi brothers, two lesbian sharpshooters, three smart-aleck bounty hunters, and a couple of very scary killers. The casino hotel that Israel is holed up in soon becomes a bloody battleground between FBI agents and security guards against a slew of psychos who want Israel’s heart (literally).

SMOKIN’ ACES immediately lets us know that it values style over substance with a 1970s-esque credits sequence and title cards to introduce every character. These many introductions take up the first ten minutes of screen time, but are executed in a way that makes every scene naturally flow together. Much like CLOUD ATLAS cut between storylines in a flawless manner, SMOKIN’ ACES carefully balances the many plot threads that it’s juggling throughout (for a majority of the running time). This film employs flashbacks, quick cuts and different scenes of dialogue that deliberately bleed into each other (like one steady conversation between different characters in different locations). Even when the exposition-heavy introductions occasionally seem like a bit much, Joe Carnahan knows how to hold the viewer’s interest.

ACES’s characters include a colorful band of criminals, psychopaths, and scumbags (with a couple of heroic FBI agents thrown in for good measure). Ryan Reynolds and Ray Liotta do well in their roles as the film’s only two good guys, but the only development they’re given comes from a debriefing and a so-so bit of comic relief near the opening. Andy Garcia seems to be forcing a mind-bogglingly bad Southern accent and winds up with the film’s worst performance as a result. However, the totally irredeemable characters are where this movie shines strongest. Jeremy Piven is in rare form as cokehead, small-time crook Aces and even has a bit of an emotional story arc when he realizes how far he’s fallen. This might not be as effective as it should have been, but it’s a refreshing bit of levity to the bloody chaos ensuing in the hotel’s hallways and elevators.

Speaking of which, SMOKIN’ ACES is super violent! Machetes, chainsaws, grenade launches, creative means of dispatching someone, gruesome torture, and boxes of bullets (for many different types of guns) make their way into the proceedings. This film is ferocious in its action scenes and unabashedly depraved in its wicked sense of humor, but this makes it a blast for viewers that enjoy films like CRANK, SHOOT ‘EM UP or Quentin Tarantino’s entire career. These weapons are wielded by merry miscreants, my favorite of whom are the Tremor brothers (one of which is played by a young Chris Pine). This trio of redneck neo-Nazis aren’t subtle in any way, shape or form. They go into a place blasting and have the film’s most memorable action scene, while also delivering the most darkly hilarious moments in the entire movie.

The relationship between hired killers Sharice (Taraji P. Henson) and Georgia (Alicia Keys) is surprisingly strong, though this occasionally feels like it exists purely for the exploitation factor of having sexy gun-toting lesbians. Common has a brief role that makes for an unexpectedly tense moment, while Joel Edgerton has a silent (but memorable) part in the proceedings. Ben Affleck, Peter Berg, and Jason Bateman are sadly underused as two of the bounty hunters and a deeply depressed lawyer. The film’s biggest problems come from the storyline of Martin Henderson’s reluctant sidekick to Affleck’s bondsman. It’s not that Henderson’s acting is terrible, but most of his scenes feel drastically out-of-place. The worst of these include unfunny bits with a karate-loving preteen wangster. That all being said, this subplot’s grisly punchline is satisfying beyond belief.

SMOKIN’ ACES crams a ton of storylines into one movie and balances them surprisingly well for almost 90 minutes, but a few of these don’t receive satisfying pay-offs in the long run. The biggest examples being an intense killer known as The Plague’s anti-climactic final moment and a face-swapping baddie not receiving a great send-off. The final 20 minutes are meant to arrive as a giant shock to the viewer with two inspired plot twists. One of these is clever and the other is…well…kinda stupid. The film lays down heavy foreshadowing early on as to what the stupid twist might be and I correctly guessed it upon my first viewing. This dumb plot twist and mixed bag conclusion feel like a weak sigh to an otherwise hilarious, raunchy, and chaotic ride.

As a whole, SMOKIN’ ACES is a very entertaining action flick with spurts of insanity, plenty of humor, a cast of colorful characters, and constant fun for viewers who enjoy this sort of thing. The film isn’t perfect in that its final minutes are easily the weakest part of the entire story, there’s a noticeably terrible performance from Andy Garcia, and one subplot feels a little too “out there.” However, I truly enjoy SMOKIN’ ACES for the unabashedly silly action flick that it is. If this sounds like your kind of movie, then it probably is!

Grade: B+

The Top 15 Movies I Reviewed in 2016

List by Derrick Carter

2016 has been a crazy year both on film and in real life. I’ve reviewed just under 200 movies in the course of the last twelve months and for the most part, have fared pretty well in catching cool new flicks as well as crossing many revered classics off my cinephile “shame list.” As a result, my focus in 2016 wasn’t necessarily on catching every new film that graced the big screen and I instead went off whatever the hell I felt like watching/reviewing. Though I didn’t get as many reviews up during 2016 as I have in previous years (for a myriad of reasons), I do feel that For the Love of Celluloid sort of matured over the past twelve months and deeply appreciate the support of anyone who bothers to read my little movie blog.

Apologies if I briefly bore you with a technicality, but my year-end lists will now focus on first time watches in the course of the year and not specifically releases from the year. Without further ado, here are my fifteen favorite first time watches from 2016…

Honorable Mentions: If I hadn’t previously seen RAIDERS OF THE LOST ARK, THE SHINING, and A CLOCKWORK ORANGE before 2016, then they all would have easily made this list. ANTHROPOID, 10 CLOVERFIELD LANE, ZOOTOPIA, SAUSAGE PARTY, THE NICE GUYS, THE HANDMAIDEN and TRAIN TO BUSAN were all stand-out movies in this rather mixed bag cinematic year. SPIRITED AWAY, UNITED 93, and THE GOOD, THE BAD AND THE UGLY also barely scraped by in missing this list. So, what did make the list?…

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15. LADY SNOWBLOOD: Before getting into how much I love this movie, this film deserves some context. A local cinema pub runs monthly Kung Fu Movie Nights here and a buddy of mine occasionally drags me to them. I’m not a big martial arts aficionado and most of the movies I’ve seen at this pub have been entertaining and undeniably stupid. However, LADY SNOWBLOOD blew me out of the water. This was more than just a martial arts flick being shown in a cinema pub, but rather a beautiful, bloody revenge tale that carefully unwound its plot and sold its bad-ass heroine as someone to root for as she sliced and diced her way to vengeance. Featuring geysers of blood, gorgeous visuals, and a calculated delivery of fun, LADY SNOWBLOOD may likely go down as my favorite martial arts flick of all-time!

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14. THE INVITATION: Easily the best horror film that I saw this year, THE INVITATION is brilliant in planting the viewer on the edge of their seat for 100 minutes. The premise is simple. A man goes to a suspiciously casual dinner party held by his ex-wife. Through the course of seemingly mundane actions and a possibly paranoid protagonist, we are taken on a tense ride of two terrifying possibilities. This film does a fantastic job of keeping the viewer flip-flopping on their stance and trying to figure out the dark mystery behind the plot, which fully unleashes itself in a truly frightening third act. Don’t watch the trailer. Don’t read any long plot synopsis. If you want to be scared and appreciate a classy Hitchcockian sense of unease, then definitely go into this film as blind as possible!

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13. DREDD: When DREDD came out in 2012, I quickly wrote it off as a RAID rip-off in spite of the comic book source material. Having finally watched the film four years later, I realize just how wrong I was. Though it may resemble THE RAID on the surface, DREDD could not be any more different. This ultraviolent, highly entertaining and fully loaded sci-fi action extravaganza had me laughing and cheering from start to finish. The film doesn’t present its action in a gritty, heavily edited, shaky-cam style as attention to detail and beautiful lenses have been used to portray the gory chaos. I really hope that DREDD 2 eventually becomes a reality, because this needs to be a franchise!

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12. DOCTOR STRANGE: The Marvel Cinematic Universe has now been running for nine years and fourteen films. Though none of its installments have failed to entertain me (some far more than others), I wouldn’t call any of them perfect entertainment…until now. Telling the most inventive origin story thus far in the Marvel universe and simultaneously functioning as a mystical adventure, DOCTOR STRANGE is easily the best MCU movie yet! The acting is stellar, making the main character’s transformation from selfish jerk to courageous hero all the better as a result. The effects are mindblowing (not to sound cliché) and deliver some of the most memorable sequences to hit the big screen in quite some time. It’s like a magical acid trip had a baby with a superhero movie and I loved every second of it!

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11. THE BREAKFAST CLUB: Yes, I know. I hadn’t seen this movie before and was only pressured into watching it by a co-worker who kept bugging me about it. After finally caving in, I discovered why this John Hughes classic has so many fans and is widely considered to be one of the best films to come out of the 80’s. Revolving around five fleshed-out characters and skewing teenage clique stereotypes (that still exist to this day), THE BREAKFAST CLUB is equally funny as it is insightful. The film is a perfect balance of comedy and drama, resulting in an emotionally involving and beautiful story about how people are alike in spite of their differences. Maybe, in a world that’s so divided by differences and labels, we should all just kick back, watch this movie and remember that we can get along. I’ll never forget about this movie. Get it? That’s a reference to the song that plays during the end credits. Whatever, let’s move on…

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10. THE PEOPLE V. O.J. SIMPSON: AMERICAN CRIME STORY: Yes, I know this is technically a miniseries, but you know what? This is my list and I don’t care. THE PEOPLE V. O.J. SIMPSON is better than damn near every true-crime film I’ve seen in my lifetime. Featuring a bevy of great acting talent and more than guaranteed to push a few buttons on every viewer, this 10-part miniseries stays true to the facts and relives the “trial of the century” in painstaking detail. I was addicted to this show when it aired earlier this year and have since binge-watched it as a complete cinematic experience. When paired with ESPN’s excellent five-part documentary O.J.: MADE IN AMERICA, there isn’t much left to be examined about the O.J. Simpson case. If you are the least bit intrigued by true crime, then PEOPLE V. O.J. SIMPSON is a must-see!

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9. DEADPOOL: Though this year had more than its fair share of disappointing superhero flicks, 2016 still managed to deliver two spectacular comic book movies. I loved DOCTOR STRANGE, but DEADPOOL might just be one of my favorite superhero movies of all-time (next to the DARK KNIGHT trilogy). This rowdy X-MEN spinoff did everything in its power to be entertaining as hell and milked the R rating for everything it was worth. Because of DEADPOOL’s massive success as an R-rated money-maker, I truly hope that more studios will realize older audiences will pay to see great R-rated movies on the big screen too. Not everything needs to be accessible to younger viewers and every demographic, DEADPOOL was refreshingly bonkers and the most fun I’ve had in a movie theater since MAD MAX: FURY ROAD!

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8. ON THE WATERFRONT: Another title that I crossed off my shame list this year, ON THE WATERFRONT never seemed that appealing to me. Sure, I had seen Marlon Brando’s contender speech out of context and heard the basic premise, but none of it sounded particularly special. This movie isn’t about a corrupt union and poorly-treated dock workers though, instead it’s a story about broken souls and a long walk to redemption. Marlon Brando’s performance is breathtaking as he disappears into the role of a tough guy with a soft heart. This film progresses naturally and doesn’t cheat out on its dangerous stakes, resulting in some very tense moments. The final minutes are unbelievably emotional as a simple dockside walk becomes a test of willpower and ultimately sums up the entire film. ON THE WATERFRONT is an emotional, brilliantly acted, and spectacularly written piece of art that deeply moved me!

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7. ANIMAL HOUSE: Here’s another movie I crossed off my shame list during 2016. I had never seen ANIMAL HOUSE before, though I was well aware of its reputation. No hyperbole, this film changed the face of movie comedies and opened the door for crass humor to hit the big screen in gross-out fashion. This movie has plenty of hilarious scenes and quotes, but taken within the film’s context, they become ten times funnier. The dark sense of humor in areas had me cackling while the many sex jokes easily contributed to the likes of AMERICAN PIE and SUPERBAD further down the line. Also, John Belushi was a comedic tour-de-force to be reckoned with. With jokes about sex, death, horses, chainsaws, beer, racial differences, impressions of zits, and much more, ANIMAL HOUSE truly is one of the greatest and wildest comedies of all-time!

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6. TRAINING DAY: Though it was released fifteen years ago, TRAINING DAY still seems frighteningly relevant in today’s world. Showcasing a dark underbelly of corrupt cops and street gangs, this film takes place in the space of 24 hours and sunk its hooks into me from start to finish. Ethan Hawke is a naïve protagonist (that’s kind of the point of the story) and we are forced to follow in his footsteps as he stands alongside one of my new favorite cinematic villains. Denzel Washington’s character is a beast and delivers one of the greatest movie monologues (for my money) of all-time in Detective Alonzo Harris’s street-side closing speech. Grim, gritty, and suspenseful the whole way through, TRAINING DAY is one of my new favorite movies!

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5. ARRIVAL: A beautifully crafted and mature piece of science fiction, ARRIVAL’s true brilliance didn’t fully hit me until the closing credits began to roll. This film takes the alien invaders trope and spins in a mature, realistic direction. Though this has already been done in films like CLOSE ENCOUNTERS and CONTACT, I guarantee that it hasn’t been executed in the complex and thought-provoking manner that ARRIVAL delivers. Seemingly innocuous scenes take on whole new meanings when you realize the story’s true nature. The ending also guarantees that you won’t be able to watch this film in the same way upon a second viewing, much like Christopher Nolan’s THE PRESTIGE becomes a completely different movie once you’ve been wowed the first time around. ARRIVAL is a science fiction masterpiece and continues director Denis Villeneuve’s winning streak.

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4. TO KILL A MOCKINGBIRD: Despite stemming from a book that’s required in many classrooms and existing for decades as a beloved classic that’s cherished by countless film fans, TO KILL A MOCKINGBIRD somehow never made its way across my eyeballs before 2016. However, I now count it among the most emotional dramas that I’ve ever seen. This film tackles hard-hitting issues through the innocent eyes of a child in a coming-of-age tale crossed with a courtroom drama. Gregory Peck’s performance as Atticus Finch is outstanding and the rest of the cast put in stellar work as well. This profoundly powerful film deeply moved me and left me on the verge of tears with its beautiful conclusion. TO KILL A MOCKINGBIRD is a masterpiece!

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3. THE REVENANT: The film that finally won Leo an Academy Award, THE REVENANT is an amazing cinematic feat that was created by both madness and brilliance. Did Leo look like he just puked when biting into a buffalo liver? That’s because he did. Do these cast members look like they’re freezing their asses off? That’s because they are. Does it seem like these are real locations? That’s because the director shot in natural light and proceeded to put his cast and crew through a hellish outdoor shooting experience. Production accomplishments aside, THE REVENANT remains a riveting tale of revenge and survival in harsher than harsh circumstances. This film is a gritty, unforgiving, and awe-inspiring piece of cinematic art that has blown me away twice at this point and will continue to do so many times in the future. Also, this movie may have given me a fear of bears too.

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2. THE LOBSTER: The best love story I’ve seen all year belongs to a twisted dystopian dark comedy about a guy who’s forced to choose between finding a romantic partner or being turned into an animal. Sound weird? Oh boy, it is! Besides being strange all the way around, THE LOBSTER is also a wonderfully unique flick that’s equal parts charming and disturbing. This cinematic world felt like Terry Gilliam made a movie with David Lynch. The feelings this film gave me are almost impossible to properly describe as there really hasn’t been anything like it before. It’s a romance like no other and if you have a penchant for weird arthouse cinema, then I highly suggest that you watch THE LOBSTER at your earliest convenience…preferably with a significant other who’s also into awesome cinematic oddities.

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1. HIGH-RISE: So if you thought THE LOBSTER was an odd choice for this list, then brace yourself because I can see people flat-out hating my number-one pick. HIGH-RISE is one of the few movies to be adapted from the work of British science fiction author J.G. Ballard. If that name sounds familiar, it’s because David Cronenberg adapted his work into twisted romantic thriller CRASH. That’s the level we’re at here, folks. HIGH-RISE is a grim, darkly hilarious and disturbing tale about a high society that devolves into a bloody class war in the space of a forty-floor apartment building…and I absolutely friggin’ adored this film! I’ve watched it four times within the space of the year and plan on revisiting it many more times in the future. The stylish visuals, colorful characters, twisted story arcs, oddball humor mixed with darkly disturbing content, a suffocating atmosphere, and shocking social commentary blew me out of the water. I love this movie so much that I actually listened to the DVD commentary. It’s the first film to make me do that in years! Though it’s definitely not for everyone (see THE LOBSTER’s divisiveness and crank it up to 11), HIGH-RISE is my favorite movie of 2016 and makes me hope for more big screen adaptations of Ballard’s work.

2016 was a pretty insane year in a lot of different ways. Many movies disappointed me in the theater, but I still saw plenty of good and great films. I also crossed many titles of my cinephile “shame list,” though I still have many more to eventually get through. Here’s hoping for an even better 2017!

DEADPOOL (2016)

Review by Derrick Carter

Running Time: 1 hour 48 minutes

MPAA Rating: R for Strong Violence and Language throughout, Sexual Content and Graphic Nudity

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Directed by: Tim Miller

Written by: Paul Wernick & Rhett Reese

(based on the DEADPOOL comics by Fabian Nicieza & Rob Liefeld)

Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano, Brianna Hildebrand, Stefan Kapicic & Leslie Uggams

Deadpool has finally arrived on the big screen! Fox previously tried to bring the merc with a mouth to the big screen in X-MEN ORIGINS: WOLVERINE, which easily stands out as the worst X-MEN movie in the whole franchise. They botched that attempt badly. Fear not though, because fans’ hopes and prayers have been answered with this gleefully R-rated superhero flick that’s strictly for mature audiences. DEADPOOL is awesome from beginning to end with multiple jokes being fired off every few seconds, a non-linear storyline, and copious amounts of sex and violence.

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Wade Wilson (Ryan Reynolds) is a freelance mercenary living in New York City. One night, he falls head over heels for escort Vanessa Carlysle (Morena Baccarin) and the two begin a fairy tale romance. These happy times come to an end when Wade is diagnosed with cancer in multiple organs. In an effort to cure himself, Wade volunteers to be subject in an experiment to create super soldiers. It turns out that the people running this top-secret program (mutants Ajax and Angel Dust) have more sinister intentions in mind. Soon enough, Wade is scarred from head to toe and Deadpool is born. Wielding multiple weapons and an infinite amount of smart-ass quips, Deadpool begins a bloody hunt for Ajax (Ed Skrein) in an effort to regain his former face.

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DEADPOOL is a superhero origin story that’s unlike any other origin story to previously hit nationwide theatrical release. This plot is told in a style that constantly breaks the fourth wall, pokes fun at the proceedings, and is told in a non-linear fashion. This film reminds me that seemingly overdone narratives (in this case, superhero origins) can still be brought to the screen in new, exciting ways. DEADPOOL’s nearly two-hour-long run time breezes by as I was laughing the whole way through, found myself fully invested in the plot, and had blast watching every bit of over-the-top action.

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I highly doubt that any other performer could have played Deadpool as perfectly as Ryan Reynolds. Reynolds’s filmography has seen its ups and downs (the latter are openly mocked throughout this film), but DEADPOOL is the best thing he’s done thus far. His narration, constant fourth wall breaking, and comedic timing bring this delightfully deranged antihero to life. Reynolds is not the only memorable mutant here as Ed Skrein is well-cast as the sword-wielding Ajax (who has super strength and is immune to pain). This is a despicable villain that I loved to hate and his frustration towards Deadpool’s sarcasm makes their confrontations ten times funnier. Ajax’s second-in-command is Angel Dust (a well-cast MMA fighter Gina Carano) and though she doesn’t receive as much dialogue as Ajax, she’s still a very strong screen presence.

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As far as Deadpool’s various helpers go, Stefan Kapicic voices a well animated Colossus. Colossus’s nice guy persona make his reactions towards Deadpool’s extremely violent nature stand out as some of the funniest scenes in the film. Newcomer Brianna Hildebrand steals every bit of screen time she’s in as Negasonic Teenage Warhead (who’s essentially a human bomb). TJ Miller is also well cast as the human sidekick Weasel, while Morena Baccarin has great chemistry with Reynolds as Vanessa. This film also features my favorite Stan Lee cameo in any Marvel film thus far.

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The non-linear way in which DEADPOOL is told (with lots of flashbacks) kept me hooked in the story, despite me knowing full well how this origin tale was likely to play out. DEADPOOL may not be free of clichés, but it does openly mock them at every given opportunity. There are tons of references to other superheroes and films as well. All of this is done in hilarious fashion and doesn’t become repetitive in the slightest. The opening credits rank as some of the funniest in recent memory.

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It should be noted that DEADPOOL definitely deserves its R-rating and pushes it to the limits. Of course, there’s lots of violence with bodies being dismembered, decapitated heads being used as soccer balls, and plenty of insane action sequences. The sex is also off the charts as we get nudity (both male and female), crude running gags, and gross-out jokes. The constant sense of humor is wildly irreverent as nothing is off-limits and the F-bomb is thrown around like candy. I have no earthly idea how this movie could ever possibly be edited for basic cable. One can only hope that this film’s guaranteed success will open doors for more R-rated superhero flicks down the line (I’d love to see a proper SPAWN reboot).

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DEADPOOL is exactly what you think it is and I mean that in the best way possible. This is one of the most insane superhero flicks out there. The film is fueled by non-stop sarcasm, crude humor, T&A, gory violence, tons of references, and love for the source material. It will definitely benefit from multiple viewings as there are so many jokes being fired off at a mile-a-minute that it’s simply impossible to catch all of them in one sitting. Simply put, this film is a self-referential, profane, darkly hilarious, gloriously violent, and very R-rated superhero/anti-hero story. If that sounds up your alley, then DEADPOOL is a must-see!

Grade: A+

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