THE RIDICULOUS 6 (2015)

Review by Derrick Carter

Running Time: 2 hours

MPAA Rating: Not Rated

Directed by: Frank Coraci

Written by: Tim Herlihy & Adam Sandler

Starring: Adam Sandler, Terry Crews, Jorge Garcia, Taylor Lautner, Rob Schneider, Luke Wilson, Nick Nolte, Will Forte, Nick Swardson, Steve Zahn, Julia Jones, Danny Trejo, Harvey Keitel, Steve Buscemi, David Spade, Jon Lovitz & John Turturro

Adam Sandler is a polarizing comedian. He was hugely successful in the 90s with recurring sketches on SATURDAY NIGHT LIVE and this was followed by a series of hit comedies (the best of which is easily HAPPY GILMORE). Somewhere around the mid-2000’s, the quality of Sandler’s output went downhill and he’s progressively gotten lazier and more unfunny as the years have rolled on. We’ve gotten to a point where studios have passed on Sandler’s ideas and he’s signed an eight-film(!) deal with Netflix. 2015’s THE RIDICULOUS 6 is the first of these eight straight-to-Netflix Sandler films, earning a whopping 0% on Rotten Tomatoes and breaking Netflix records as their most-watched film. While RIDICULOUS 6 isn’t Sandler’s worst movie, it’s definitely on the low end of his filmography.

Set in the Old West, the story follows Tom “White Knife” Stockburn (Adam Sandler). Tom never knew his father and was raised by a Native American tribe. One day, Tom’s deadbeat dad (Nick Nolte) inexplicably walks back into his life and is promptly kidnapped by an outlaw gang, led by fearsome murderer Cicero (Danny Trejo). In order to rescue his father, Tom begins robbing banks…only to realize that his dad had five other children with five other women. The gang of six misfit brothers sets off on an adventure that sees them stealing from various jerks, encountering historical figures, and ending up in (what else) an Old West gun fight. Meanwhile, about 1/4th of the jokes get laughs and 3/4ths fall flat.

Adam Sandler phones in his performance as White Knife. He seems to be trying to do a gruff Clint Eastwood impression, but lacks any charisma and the faintest bit of effort in this part. Sandler as a straight-man never should have been attempted in the first place, because he doesn’t seem fit for this part in comedy. I can’t believe I’m saying this, but I might have preferred a more over-the-top, silly-voiced Sandler as the lead. Even more surprising is that Rob Schneider isn’t half-bad as the stereotypical Mexican brother and actually got a few chuckles out of me.

Delivering the worst performance in the film, Taylor Lautner is godawful as a high-pitched hillbilly. Nearly every moment he’s on screen is insufferable. Almost as bad as Lautner is Jorge Garcia (a.k.a. Hurley from LOST) who plays an incomprehensible mountain man. Luke Wilson and Terry Crews are also in this movie as the two other brothers and they don’t contribute much to the proceedings or laughs. Danny Trejo and Nick Nolte also show up, but are clearly phoning it in.

To its credit, THE RIDICULOUS 6 looks like it had a budget behind it. There’s only one scene of cheap CGI and that comes early on. The sets and cinematography are rather well done for a western comedy spoof, though I still much prefer Seth MacFarlane’s serviceable A MILLION WAYS TO DIE IN THE WEST over this. Two of RIDICULOUS 6’s main problem comes from its long running time and messy pacing. This film almost feels like an endurance test, because the story frequently meanders and there are many dull moments. If it ran at 90 minutes, this might have been far better. The first hour is dedicated to the brothers running into each other, following a predictable pattern of: the characters going to a location, meeting another brother, and then going to another location.

Three-quarters of the jokes in RIDICULOUS 6 are lame. This isn’t because they’re offensive and gross, but rather because they’re just plain lazy. The juvenile bits include: a donkey with explosive diarrhea, bestiality, farting, a fly getting castrated, charades for sex, and crude-sounding Native American names. Are we having fun yet? No, but what about a long musical number around a campfire that comes out of nowhere and lasts for nearly 5 minutes. Still not laughing, but what about half-assed cameo appearances from Vanilla Ice (as Mark Twain), David Spade (as Colonel Muster), Chris Kattan (as John Wilkes Booth), and Jon Lovitz (as a snobby rich poker player)? I wanted to laugh at Vanilla Ice playing one of America’s most celebrated writers, but they do nothing with it. The joke is simply him appearing as that character and nothing else.

Though I’m railing on this film’s flaccid excuses for humor, there are a handful of genuine laughs to be had. These are few and far between, but they do exist. Early cracks about the racism of the time made me giggle, while cross-eyed Steve Zahn gets a few good moments as a gun-toting hick. Steve Buscemi makes the most of his time as the small-town doctor/barber. Meanwhile, Harvey Keitel gets the darkest laugh of the entire movie and John Turturro is fantastic as the inventor of baseball (who makes up rules to avoid being beaten at his own game).

THE RIDICULOUS 6 is not Adam Sandler’s worst film because there are a few good laughs in this mess of a movie. That’s more than I can say about the likes of GROWN UPS and JACK AND JILL. A bloated running time and monotonous story take an unfixable toll on the proceedings, one that’s further hindered by a majority of the would-be jokes falling flat. I really hope that THE RIDICULOUS 6 winds up being the worst Adam Sandler straight-to-Netflix film, because this lazy and that in itself seems a little insulting to the Sandman’s fanbase.

Grade: D

GROWN UPS (2010)

Review by Derrick Carter

Running Time: 1 hour 42 minutes

MPAA Rating: PG-13 for Crude Material including Suggestive References, Language and some Male Rear Nudity

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Directed by: Dennis Dugan

Written by: Adam Sandler & Fred Wolf

Starring: Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, Maya Rudolph, Blake Clark & Steve Buscemi

Adam Sandler has easily become one of the most picked-on figures in Hollywood. It seems like I’m jumping on the band wagon by turning Sandler into a punching bag, but I originally liked this comedian. HAPPY GILMORE, BIG DADDY, and ANGER MANAGEMENT are probably my favorite films that Sandler has been involved in as a comedic actor, but the man can also really act in serious roles too (see PUNCH-DRUNK LOVE). It’s absolutely infuriating to see Sandler rely on lowest common denominator humor and phone in damn near every movie he’s been involved with in the last decade. Who thought JACK & JILL (ranked one of the worst movies of all time) was a good idea? How about THAT’S MY BOY (also ranked one of the worst movies of all time) or BUCKY LARSON: BORN TO BE A STAR (which Adam co-wrote)? GROWN UPS is no exception. It’s not that the film is out-and-out unwatchable, but rather that it’s bland beyond belief and plays out more like a horrible feature-length episode of a bad sitcom.

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The so-called story of GROWN UPS revolves around a group of childhood friends reuniting for a weekend of fun after their old basketball coach dies. That’s the whole plot in a nutshell. Each friend has their own separate issues, some more than others, and the tone can’t seem to make up its mind about either being sappy family friendly film or a gross-out affair. The really awful thing about either one of these is that they both feel forced. It’s all been-there done-that humor. Plenty of jokes involving bad hair (courtesy of Rob Schneider), sex with old women (also courtesy of Schneider), farts, breast milk being drunken by a four-year-old child, and somebody getting hurt with no real repercussions. Comedy is a subjective art form, but everything here has been done to death in previous films or is at the level of a Junior High kid’s sense of humor.

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One thing I kept thinking while watching GROWN UPS was about the lack of continuity in the story. It played out more like a series of SNL skits that were all thrown together in a single movie. A webisode format on the official Happy Madison website would have been a more effective way of getting these scenes out (although the material would still be just as lame). What’s even more insulting to the viewer is that everything feels half-assed as far as this being a full-length movie. Some inherent conflicts are set up between a couple of characters and then resolved about two minutes later. A skillfully crafted film might exploit these potential sub-plots for all they were worth and make a coherent plot around it of sorts. Not GROWN UPS and not Adam Sandler, he’s far more concerned about getting back to slow-motion scenes of David Spade falling face-first into a cow turd (not only seen once, but twice).

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The cardinal sin with GROWN UPS is that it doesn’t seem like anybody’s putting any real effort into being funny. It’s a comedy without laughs or a story to speak of. I have a theory that this was all a ruse set up as an excuse for the Happy Madison crew to hang out. The viewer is paying the price for to watch some of these admittedly funny (in the right roles) actors just phone it in. This includes everybody, even an underused Maya Rudolph (seen in a brief part in MACGRUBER with far more laughs than this film) and even more underused Steve Buscemi (appearing for three scenes total). When the movie tries to be sentimental is when it really goes down, because it showed a brief promise that there could have been a decent story inside of GROWN UPS. It all seems like a rushed, phoned in, forced, and false comedy on every affront.

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GROWN UPS wasn’t funny in the slightest. It would have been right at home as a bad TV movie on NBC complete with a laugh track, because everything is just so tame and lame. Some of the crude material gives it the PG-13 rating (mainly due to the disgusting breast milk scenes), but it’s just not anything new or remotely entertaining. Most of the devoted followers of Adam Sandler claim that the hatred for him is unneeded, but Sandler used to be funny and he isn’t anymore. I didn’t think some of his earlier work was good (e.g. BILLY MADISON), but things like HAPPY GILMORE and BIG DADDY entertained me. As he’s progressed in his (unfortunately) successful career, Sandler has become content with playing it easy.

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The jokes in GROWN UPS are obvious, forced, or just plain lame. There’s no story to the film and nobody’s trying with this material. It’s one of the worst comedies I’ve seen in the past five years and the hatred for Sandler is very much warranted if this is the kind of crap he’ll keep pumping out. GROWN UPS is a waste of everybody’s time with the possible exception of the all-star cast. They probably got paid handsomely for their farts.

Grade: D-

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