THE DISASTER ARTIST (2017)

Review by Derrick Carter

Running Time: 1 hour 43 minutes

MPAA Rating: R for Language throughout and some Sexuality/Nudity

Directed by: James Franco

Written by: Scott Neustadter & Michael H. Weber

(based on the book THE DISASTER ARTIST by Greg Sestero & Tom Bissell)

Starring: James Franco, Dave Franco, Seth Rogen, Allison Brie, Ari Graynor, Josh Hutcherson, Jacki Weaver, Zac Efron, Hannibal Buress, Andrew Santino, June Diane Raphael, Nathan Fielder, Brian Huskey, Sharon Stone, Paul Scheer & Jason Mantzoukas

Is it possible to make a great movie about the making of one of the worst movies ever made? Well, Tim Burton already did something along those lines with 1994’s ED WOOD. Now, James Franco has done something similar in 2017’s THE DISASTER ARTIST. Based on the non-fiction book of the same name, THE DISASTER ARTIST chronicles the true story behind the making of THE ROOM, which is widely considered to be one of the worst films of all-time. THE DISASTER ARTIST could have been a hilarious romp that mercilessly took down a weird individual and his passion project. Instead, THE DISASTER ARTIST is hilarious, poignant, and heartfelt! This is a movie about following your dreams…even if those dreams fail miserably.

The year is 1998 and the place is San Francisco, California. Greg Sestero (Dave Franco) is a 19-year-old aspiring actor who has trouble emoting in his performances. That all changes when Greg meets strangely accented weirdo Tommy Wiseau (James Franco). Wiseau is fearless in his acting methods, but have a shred of talent in his performances. When Greg and Tommy fail at the seemingly impossible battle to make it big, Tommy decides to write and direct his own movie…with Greg as one of the leading stars. What results is the bafflingly inept production on one of the worst films ever made and a failure so spectacular that it just might be considered a success in its own baffling way.

James Franco has directed films before and none of them seem to be any good. The most recent Franco-directed effort that I sat through was his disappointing adaptation of William Faulkner’s THE SOUND AND THE FURY. I was a bit hesitant that Franco was at the helm of this project, but he thankfully proved all my better judgement wrong. THE DISASTER ARTIST is fantastic and Franco seems like the perfect person to bring it to the screen. Besides the real-world Los Angeles atmosphere that the film evokes, Franco pulls double-duty and plays the role of Tommy Wiseau. To put it bluntly, Franco’s Wiseau impression is pitch-perfect. He has all of the mannerisms down and the unique way of speaking (complete with his unique laugh). Franco nailed this performance!

THE DISASTER ARTIST’s supporting cast sports a bevy of big talent, including Franco’s younger brother Dave in the role of Greg. Though it might be odd to have two brothers acting alongside each other as unrelated characters, this illusion is completely convincing. Dave Franco plays Greg as a level-headed guy who just happens to be friends with the world’s biggest weirdo and has a good heart. Though this film is about the making of THE ROOM, the friendship between Greg and Tommy is the main focus of THE DISASTER ARTIST. Conversations between them range from funny to occasionally intense, as the production brings out serious anger in a few crew members (Greg included).

Other recognizable faces include celebrity cameos and big names in supporting roles. Seth Rogen is especially hilarious as a script supervisor who tries to help Tommy out, but is constantly blindsided by the director’s ego-driven decisions. Paul Scheer is notable as a pissed-off director of photography and really gets his time to shine in the film’s darkest moment (involving an outburst during the filming of one of THE ROOM’s many gratuitous sex scenes). Josh Hutcherson is also quite funny as Philip Haldiman (who played the creepy teenage-ish Denny) and Jacki Weaver gets one great monologue as aged actress Carolyn Minnott (who played Lisa’s cancer-stricken mother).

THE DISASTER ARTIST is likely to win over fans of THE ROOM by injecting some semblance of sense into the sheer incoherence of that film’s final cut. There were lots of scenes in which I immediately thought “Okay, now that part of THE ROOM makes a little more sense.” These moments come as early as the beginning when we see Tommy and Greg watching REBEL WITHOUT A CAUSE, admiring one line that gets repeated in one of THE ROOM’s most memorable moments. We also see how certain on-set decisions directly affected the entire flow of that film’s insanity. Why did Mark try to throw someone off a roof? Why did Johnny throw a water bottle in a fit of rage? Why does Tommy Wiseau’s hair look like it’s constantly wet? All of these mysteries and more are answered in the course of THE DISASTER ARTIST’s 103-minute running time.

The biggest reason why THE DISASTER ARTIST works is because it’s a story about somebody following their dreams and doing something they love, even if they are absolutely terrible at it. This film captures the love for THE ROOM, whilst also showing the connection that someone can have with their own artistic material. THE DISASTER ARTIST is sure to delight THE ROOM’s cult crowd, whilst also serving as a fantastic piece of filmmaking for moviegoers who enjoy great dramas and comedies. This film is about friendship, ambition, failure, and unexpected success. THE DISASTER ARTIST is just as genuinely moving as it is hilarious. This is one of the best films I’ve sat through in 2017!

Grade: A+

FANBOYS (2009)

Review by Derrick Carter

Running Time: 1 hour 30 minutes

MPAA Rating: PG-13 for Pervasive Crude and Sexual Material, Language and Drug Content

Directed by: Kyle Newman

Written by: Ernest Cline & Adam F. Goldberg

Starring: Jay Baruchel, Dan Fogler, Sam Huntington, Chris Marquette, Kristen Bell, David Denman, Christopher McDonald, Ethan Suplee & Seth Rogen

I am a STAR WARS fan. I had the toys growing up (including a Darth Maul inflatable chair), watched the movies over and over, went to STAR WARS scout camp, and am still geeking out over new installments in the saga. FANBOYS is a comedy that is tailor-made for STAR WARS fans. If you don’t like or aren’t familiar with the series in any way, shape or form, you will probably not dig this movie nearly as much as someone who loves STAR WARS. FANBOYS is a fun, goofy and (at points) oddly heartwarming little road trip film for STAR WARS junkies.

The year is 1998 and four friends have unexpectedly reunited at a Halloween party. Eric (Sam Huntington) is trying to grow up and take care of his father’s car dealership business, while Hutch (Dan Fogler) lives in his mother’s garage, Windows (Jay Baruchel) obsesses over his unseen internet girlfriend, and Linus (Chris Marquette) still holds a long-time grudge against Eric. When Eric is informed that Linus is dying of cancer and has four months to live, he tries to make amends with his former best friend by enacting a plan they’ve had since childhood: breaking into Skywalker Ranch and stealing the work print of STAR WARS Episode I. Their plan is crazy and the guys will encounter lots of wacky scenarios on their journey, all while countless STAR WARS references fly at the screen!

The casting of the four childhood friends is spot-on. Sam Huntington (whose biggest roles appear to have been Jimmy in SUPERMAN RETURNS and Mimi-Siku in JUNGLE 2 JUNGLE) stars as Eric, the straight-man of the group. While most of the film is focused on laughter and movie-related hijinks, Huntington shares an effectively emotional story arc with Chris Marquette’s Linus. Marquette and Huntington’s final scene together beautifully summarizes friendship and fanboy culture in a nutshell, complete with why people love being geeks so much and how movies can bring people together. As Hutch, Dan Fogler is allowed to go over-the-top in his obnoxiousness and mostly thrives in getting laughs. Some of his bits fall flat, but most of them hit right on target…similar to how Luke destroyed the Death Star in Episode IV.

Jay Baruchel plays a geeky nerd character that he’s mostly been typecast as, but receives his own enjoyable story arc and has hands-down one of the most awkwardly funny scenes in the entire film. Kristen Bell also makes a strong impression as Zoe, a STAR WARS fangirl who plays a significantly bigger role during the second half. Keep your eyes peeled for lots of cameos. A few STAR WARS cast members pop up and so do many familiar comedic faces. My favorite moments come from three different characters played by Seth Rogen and a brief snippet from Kevin Smith and Jason Mewes. The former is hilarious in his multiple moments, while the latter is hysterically raunchy in his one-minute scene.

FANBOYS milks its 90s setting for nostalgia and retro jokes. There’s the familiar feeling of seeing Mario Kart played on Nintendo 64, having to hook up a phone line to a computer to access the internet, and a kick-ass soundtrack of 90s hits that’s likely to bring back good memories for 90s kids and Generation Y. FANBOYS also pokes fun at how insanely excited people were for Episode I and how much disappointment was around the corner in that movie later being considered the worst Episode. One bit that involves a tattoo of Jar-Jar Binks and Anakin Skywalker is hilarious and the film’s closing line is sure to evoke laughter.

This film is packed to the brim with STAR WARS references, which have been further aided by George Lucas allowing the director to use the saga’s original sound effects. While a police chase ending in a Darth Vader reference is obvious and on-the-nose, other smaller nods stick out too. There are tidbits of STAR WARS trivia that had me scratching my head and saying “Dammit! I used to know this!” Also, there’s a hilarious Darth Maul reference that I completely missed the first time I saw this movie and I immediately caught this time around.

I’m not going to claim that FANBOYS is a perfect film, because the storytelling occasionally seems a tad rushed. While I really enjoy the uplifting emotional arc involving four friends going out for one last adventure, there are moments where it feels shoe-horned in. This could be directly blamed on a troubled production path that had Harvey Weinstein (a.k.a. Harvey Scissorhands) desperate to shred the film to bits, at one point removing the heartwarming subplot entirely and with it, the characters’ main motivation. Being given only 36 hours to assemble a final cut and re-edit the emotional scenes back in, I feel that director Kyle Newman did a damn fine job with this film. FANBOYS is sure to please fans of the STAR WARS saga. If you enjoy STAR WARS, then I highly recommend that you check out FANBOYS for laughs, heart, and undying nostalgia.

Grade: B

JAY AND SILENT BOB STRIKE BACK (2001)

Review by Derrick Carter

Running Time: 1 hour 44 minutes

MPAA Rating: R for Nonstop Crude and Sexual Humor, Pervasive Strong Language, and Drug Content

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Directed by: Kevin Smith

Written by: Kevin Smith

Starring: Jason Mewes, Kevin Smith, Ben Affleck, Jeff Anderson, Brian O’Halloran, Shannon Elizabeth, Eliza Dushku, Ali Larter, Jennifer Schwalbach, Will Ferrell & Jason Lee

After starring as memorable supporting characters in four movies, stoners Jay and Silent Bob became the main players in Kevin Smith’s fifth View Askewniverse flick. Lampooning countless films, featuring a bevy of cameos, and resembling an R-rated cartoon, JAY AND SILENT BOB STRIKE BACK isn’t necessarily Kevin Smith’s most heartfelt or well-written effort. Instead, this is a stoner comedy that focuses on being entertaining and funny. It accomplishes both of those things in spades.

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Jay (Jason Mewes) and Silent Bob (Kevin Smith) have spent most of their lives peddling pot outside of the Quick Stop convenience store (from CLERKS). When pissed-off employee Randall (Jeff Anderson) slaps them with a restraining order, the two stoners find themselves looking for a new place to hang out. This leads them to a comic book store…which in turn leads them to discover that they are the basis for upcoming superhero blockbuster BLUNTMAN AND CHRONIC. Unfortunately, Jay and Silent Bob never received their big Hollywood check and, to make matters worse, anonymous internet trolls are calling them names. Jay and Silent Bob decide to travel from New Jersey to Hollywood in order to stop the film from being made…or at least receive some cash. This road trip leads the pair of stoners to a stolen orangutan, a group of sexy jewel thieves, a loose-cannon wildlife marshal (Will Ferrell), and lots of movie references.

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JAY AND SILENT BOB STRIKE BACK isn’t going to win over anyone who already hates Kevin Smith. This film was tailor-made for Smith fans who already loved the titular pair of stoners/drug-dealers in CLERKS, MALLRATS, CHASING AMY and DOGMA. The film isn’t as grounded as CLERKS or CHASING AMY, but it’s definitely not as fantastically outlandish as DOGMA. JAY AND SILENT BOB plays everything as a goofy stoner comedy, defying logic and physics when it results in a laugh or furthers the plot along. I’d like to think of this film as Kevin Smith’s equivalent to HAROLD AND KUMAR before there was even HAROLD AND KUMAR. It’s JAY AND SILENT BOB GO TO HOLLYWOOD with lots of stupid humor, general craziness and tons of movie references. I can’t even begin to tell you how many movie references and big name cameos are in this film.

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One of my favorite moments lambasts the then-upcoming SCOOBY DOO flick. There’s also a hilarious chase through the Miramax backlot that’s more than a tad reminiscent of PEE-WEE’S BIG ADVENTURE and also serves as an excuse for plenty of in-jokes. My point is that JAY AND SILENT BOB is hardly original. The plot is a giant road trip and intentionally borrows from many other movies. However, JAY AND SILENT BOB is well-made where it counts, in being funny and entertaining the whole way through. Whether it’s three of the best fourth wall jokes I’ve seen in a film or the sheer absurdity of a romance between Jay and a hot criminal with a heart of gold (Shannon Elizabeth), this film just worked for me. Is it stupid? Absolutely. Is it Kevin Smith’s best movie? Not at all. Did Jay and Silent Bob really deserve their own feature? Probably not. Yet, this film still inexplicably manages to be funny and engaging for well over 90 minutes.

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It’s also worth noting that JAY AND SILENT BOB STRIKE BACK predicted the future in regards to internet trolls bitching about superhero movies for the sake of bitching about superhero movies. The flick makes that into the main plot point behind Jay and Silent Bob’s nationwide quest to Hollywood, also providing colorful profanity and insults along the way. Though it’s far from Kevin Smith’s best movie in the View Askewniverse (I think that title will always belong to CLERKS), JAY AND SILENT BOB STRIKE BACK is highly entertaining for Smith fans. Film references, gross sexual humor (one joke about a cup broke me into a hysterical fit of laughter), the screenplay’s sporadic craziness, and the buddy-pairing of real-life friends Jason Mewes (foul-mouthed Jay) and Kevin Smith (almost mute Silent Bob) make this film well worth watching!

Grade: B+

YOGA HOSERS (2016)

Review by Derrick Carter

Running Time: 1 hour 28 minutes

MPAA Rating: PG-13 for Crude Humor, Sexual References, Comic Violence, and brief Drug Material

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Directed by: Kevin Smith

Written by: Kevin Smith

Starring: Lily-Rose Depp, Harley Quinn Smith, Johnny Depp, Vanessa Paradis, Austin Butler, Tyler Posey, Justin Long, Haley Joel Osment, Genesis Rodriguez, Tony Hale, Natasha Lyonne & Kevin Smith

Kevin Smith’s filmography has recently gone through many odd shifts. Though he gained a loyal fanbase from low-budget comedies like CLERKS and MALLRATS, Smith has entered a horror phase…and this has been a hugely miscalculated move. The best of Smith’s horror efforts is easily RED STATE, a surprisingly strong merging of the Waco siege and the Westboro Baptist Church. 2014’s TUSK was disappointing due to its confused tonal shifts and a plot that seemed to making itself up as it went along. That film featured cameos from Kevin Smith’s daughter and Johnny Depp’s kid as Canadian convenience store clerks. YOGA HOSERS is a semi-sequel to TUSK and serves as a spin-off for that pair of minor characters.

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Colleen Collette (Lily-Rose Depp) and Colleen McKenzie (Harley Quinn Smith) are best friends, bandmates and co-workers at the Eh-2-Zed convenience store. They bury their faces in their cellphones during school and periodically skip out on their shifts to hold band practice in the backroom. After being invited to a senior party held by preppy Hunter Calloway (Austin Butler), the Colleens’ lives begin to look up…until Colleen C’s father (Tony Hale) forces the two BFF’s to take an unexpected work shift. Missing Hunter’s party won’t be the end of the Colleens’ problems though, because Bratzis (Kevin Smith in bratwurst make-up) have risen from the ground. You may be asking: “What’s a Bratzi?” It’s a little Nazi made of bratwurst and the Colleens have to contend with an army of them. Lucky for them, legendary man-hunter Guy Lapointe (Johnny Depp) is on the case.

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YOGA HOSERS’ plot is kind of difficult to summarize, because there isn’t exactly a straightforward storyline. The film is supposedly about two teenage clerks fighting bratwurst creatures that kill people by going up their butts, yet only a third of the film seems interested in that. The rest is dedicated to the Colleens going about their teenage lives and Johnny Depp mugging for the camera. Kevin Smith unapologetically admitted that this film was a vanity project, but it might have been fun (albeit ridiculously stupid) if there was any semblance of a story. Flashy headache-inducing title cards, two cringe-worthy musical numbers, and lame cut-away jokes constantly interrupt the movie’s already wavering momentum.

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Even though it clocks in at a mercifully short 88 minutes, YOGA HOSERS frequently lags in its pacing and feels much longer as a result. There are a few chuckles that keep the film from becoming a total failure, but these are few and far between. One visual joke seems directly lifted from Mel Brooks’ ROBIN HOOD: MEN IN TIGHTS (moles changing around on Johnny Depp’s face), which in turn was actually recycled from the ever-changing hump in YOUNG FRANKENSTEIN. The biggest laugh comes from Haley Joel Osment as Canadian Hitler. The punchline to his single scene is very funny, but that energy vanishes the minute he’s gone. Don’t worry though, because YOGA HOSERS tries to get more wacky laughs by giving us a Nazi villain monologuing through voice impressions of Hollywood actors (ala Stallone, Schwarzenegger, Pacino, etc.). That’s the level we’re at here, folks.

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I can’t judge too harshly on Lily-Rose Depp and Harley Quinn Smith’s performances, because they come off as annoying teenage kids. This was definitely the intention, but it doesn’t automatically turn them into likable ass-kicking heroines. Austin Butler, who resembles Justin Bieber, shows potential in a neat plot twist that showed promise…and is quickly written out by a lazy butt joke. Johnny Depp’s Guy Lapointe was one of the worst things in TUSK, but seems to fit in with the wacky stupidity of YOGA HOSERS. His presence is much more colorful than either of the Colleens anyway. The less said about Kevin Smith in bratwurst make-up, the better. Justin Long is serviceable enough as a pretentious strip mall yoga instructor. However, Smith thinks that cameos are the same thing as comedy…which makes for two incredibly out-of-place moments.

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Truthfully, I think that Kevin Smith knows YOGA HOSERS isn’t a good movie. In the Q&A shown before the Fathom Event screening, Smith stated that the film is a midnight movie made for viewers who aren’t allowed to stay up until midnight. He seems to be writing off this film’s bad quality as it being made for kids. I don’t think that’s quite the case. There may be no F-bombs or nudity in this film, but there’s definitely enough sexual innuendos to earn the PG-13 rating (which isn’t exactly perfect for a “kid’s movie”). Even if YOGA HOSERS was actually intended for little girls, quality kid’s films usually entertain older viewers too. How terrible is YOGA HOSERS? Well, let’s just say that a theater filled with hardcore Kevin Smith fans was dead silent for 90% of the running time and I’ll pretty much be ignoring the rest of Kevin Smith’s new movies until he inevitably makes CLERKS III.

Grade: D-

HOLIDAYS (2016)

Review by Derrick Carter

Running Time: 1 hour 45 minutes

MPAA Rating: Not Rated

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Directed by: Kevin Kolsch, Dennis Widmyer, Gary Shore, Nicholas McCarthy, Sarah Adina Smith, Anthony Scott Burns, Kevin Smith & Scott Stewart

Written by: Kevin Kolsch, Dennis Widmyer, Gary Shore, Nicholas McCarthy, Sarah Adina Smith, Anthony Scott Burns, Kevin Smith & Scott Stewart

Starring: Madeleine Coghlan, Savannah Kennick, Rick Peters, Ruth Bradley, Peter Campion, Ava Acres, Petra Wright, Sophie Traub, Jocelin Donahue, Michael Gross, Ashley Greene, Harley Quinn Smith, Seth Green, Clare Grant, Lorenza Izzo & Andrew Bowen

It seems like horror anthologies are becoming more frequent these days. We’ve had two massive horror anthologies revolving around the alphabet (THE ABC’S OF DEATH series), cursed video tapes (the V/H/S trilogy), and short stories around a single holiday (A CHRISTMAS HORROR STORY, TALES OF HALLOWEEN). The premise for HOLIDAYS is exactly what the title suggests: various directors took on a major holiday and based a short horror film around that celebration. This ingenious concept sounds like it would open the floor to limitless possibilities, but only a few creative ideas actually make it to the surface in this mixed bag anthology.

1. V Day

VALENTINE’S DAY: We kick off in February with Valentine’s Day (a.k.a. Singles Awareness Day). This brief, to-the-point short follows a teenage swimmer who’s relentlessly picked on by the rest of her team. However, the coach shows this bullied outcast a bit of kindness by giving her a Valentine’s Day card, which serves as an inspiration for something violent. This segment’s stylistic visuals elevate it slightly above the predictable plot. While a gruesome punch line makes this short worth watching, I felt the 10-minute segment was okay. Nothing more, nothing less. B-

2. SP Day

ST. PATRICK’S DAY: Surprisingly, there are no drunken shenanigans or leprechauns to be found in this March 17th story. Director/writer Gary Shore (DRACULA UNTOLD) opts for a bit of Irish folklore instead. A teacher, who desperately wants a child, becomes mysteriously pregnant…and her baby might not be human. While this story’s initial set-up promised some freakish body horror, the execution was deliberately wacky. I have no problem with horror-comedies, but these jokes and absurd visuals seem weird for the sake of being weird. The cringe-inducingly awkward finale cemented this as second-worst segment in the film. D-

3. Easter

EASTER: This seems like the most forgivable holiday to screw up. There doesn’t seem to be a whole lot of potential for a creepy Easter tale. However, director/writer Nicholas McCarthy had something truly frightening in mind when he penned this short. A little girl finds herself scared by the concept of both the Easter Bunny and Jesus. Her fears come to life when she gets a glass of water…right as the Easter Bunny arrives at her home. This segment is genuinely freaky and had a legitimately effective jump scare. While the ending seems familiar, I really dug the hellish nature of this second-best holiday! B+

4. M Day

MOTHER’S DAY: And the title of worst segment goes to…this crapfest. A young woman finds herself pregnant every time she has sex (even when extreme protective measures are taken) and has gone through countless abortions as a result. Her latest pregnancy takes her to a creepy retreat where the women are less than enthusiastic that one among their ranks wishes to get rid of her unborn child. What follow is a slow, tedious crawl to a finish line that seems laughably bad. This segment slightly resembles ST. PATRICK’S DAY, but doesn’t even give us a brief glimmer of potential in its opening. Awful. F

5. F Day

FATHER’S DAY: We jump from the film’s worst segment straight to the best holiday of the bunch. A young woman receives an audio tape from her long-dead father. Using this long-lost sound recording, she retraces the steps of where her father disappeared. Director/writer Anthony Scott Burns builds serious suspense with very little at his disposal, as this short mainly consists of long shots of this woman walking through a spooky location with audio that becomes more disturbing as it continues to play. It’s enough to send a few chills up your spine and it certainly did so for me. Even though the ending is a tad rushed, this short still stands head and shoulders above the rest of this anthology! A-

6. Halloween

HALLOWEEN: Of all the holidays in this anthology, you’d probably think that Halloween would be the easiest segment to create. Too bad that Kevin Smith doesn’t do anything remotely Halloween related (all we get are a few decorations, a bag of candy, and nothing else) with his short and instead decides to whip out an overly crude torture-porn sequence. Three girls decide to get revenge on their abusive pimp through some grisly means. This feels like Kevin Smith watched bits of A SERBIAN FILM and SAW and thought to himself “Hey, I can do that, but with my patented quirky sense of humor!” It simply doesn’t work in a five-minute short that’s supposed to be centered around Halloween. This wasn’t as bad as it could have been, but still seems obnoxious and forced. D+

7. Christmas

CHRISTMAS: This potentially great segment is short-ended by an underdeveloped conclusion. A desperate father picks up a virtual reality headset for his child’s Christmas present and gets more than he bargained for. This short has its moments and I did like where things seemed to be heading in the finale, but the conclusion is so rushed and stinted that it cut off any momentum that this story had going for it. At least, Seth Green seems to be having fun as the father. C

8. New Years Eve

NEW YEAR’S EVE: A serial killer, who bases his murders around various holidays, picks up a potential new victim on New Year’s Eve. However, things are more complicated than they appear. From that synopsis alone, you probably have a good idea about where this short is heading. The plot basically gives itself up within the first minute. It’s still a lot of fun to watch though, as this segment’s humor really worked and a couple of solid gore gags make their way into the mix too. It’s nice to see the uneven HOLIDAYS end on a high note. B

9. Overall

HOLIDAYS reminds me a lot of the first ABC’S OF DEATH. The premise seems to be brimming with creativity, but half of the filmmakers don’t seem interested in delivering something scary or original. As a result, this horror-anthology is the perfect example of a mixed bag. Half of the segments are good and the other half fall flat. It’s almost worth recommending the film for FATHER’S DAY and EASTER by themselves. NEW YEAR’S EVE and VALENTINE’S DAY are fun, but nothing special. CHRISTMAS feels like it could have been one of the best segments, if it weren’t for the lackluster ending. HALLOWEEN feels like another Kevin Smith mistake as he tries to navigate his way through the horror-comedy genre. ST. PATRICK’S DAY and MOTHER’S DAY are inexcusably bad. If you’re in the mood for a horror-anthology and have completely run out of options, then you might want to check this out on Netflix or cable. Otherwise, you’re not missing much.

Grade: C

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