SUBURBICON (2017)

Review by Derrick Carter

Running Time: 1 hour 45 minutes

MPAA Rating: R for Violence, Language and some Sexuality

Directed by: George Clooney

Written by: Joel Coen, Ethan Coen, George Clooney & Grant Heslov

Starring: Matt Damon, Julianne Moore, Oscar Isaac, Noah Jupe, Glenn Fleshler, Megan Ferguson, Jack Conley, Gary Basaraba & Michael D. Cohen

SUBURBICON is a film that sounds great on paper. You have a talented cast starring in a darkly comedic period piece that was scripted by the Coen brothers (two master writers/directors who excel at pretty much everything they touch). Unfortunately though, this script has been floating around since the 80s and director/writer George Clooney took a stab at reconstructing the crime-comedy to include some rather forced social commentary. The resulting cinematic mess tries too hard to be quirky and attempts to do to many things at once, resulting in a movie that won’t completely satisfy anybody.

In 1959, the small town of Suburbicon seems picture perfect. However, things are not as nice as they appear on the surface. Clean-cut family man Gardner Lodge (Matt Damon) finds his life upended when two robbers break into his house and kill his wheelchair-bound wife Rose (Julianne Moore). Trying to move on with their lives, Gardner invites Rose’s twin sister Margaret (also Julianne Moore) to move in and curious son Nicky (Noah Jupe) begins to suspect that all is not right with his father. Meanwhile, an African-American family has moved into this all-white neighborhood and supposedly caring neighbors begin to show their racist true colors.

SUBURBICON’s biggest problem is a direct result from its troubled production. Apparently, this final product was the melding of two unrelated scripts. One of which is the aforementioned crime draft from the Coen brothers and the other was a drama based on the real-life experiences of the Myers family (a black family who moved into an all-white neighborhood in the 50s and faced endless harassment from their neighbors). The result mixes together about as well as milk and vinegar, which is to say not at all. There are two very tonally different movies in the space of SUBURBICON’s 105-minute running time and neither of them are particularly satisfying.

This film is at its best when it’s in full quirky murder-mystery mode. There are a few scenes that could only come from the twisted imaginations of Coens. My favorite moments easily belong to an over-the-top Oscar Isaac as a suspicious insurance investigator. However, he only pops in for two scenes that equal a grand total of 10 minutes. Matt Damon’s final bits of screen time are also great in a twisted way. There is occasionally good stuff within SUBURBICON. It just gets drowned out by the film’s overly familiar messy tonal shifts and a predictable narrative that seems like a lesser version of FARGO…but in the 1950s. The murder-mystery storyline also drags to the point where most of the interesting developments occur during the final third…as opposed to being a slow-burn tale that increasingly builds suspense.

SUBURBICON’s more dramatic side could have potentially served as its own serious film. However, it feels like a complete afterthought that just happens to take up a lot of screen time in this would-be dark comedy. Many of the Mayer family’s (not so subtly named after the real-life Myers family) scenes are appropriately upsetting. You’ll likely get angry at the racism on display, but it just seems so out-of-place in this film. These scenes belong in a different movie of an entirely different genre. A mixture of racially charged drama and murder-filled satirical comedy just wasn’t meant to be.

One positive highlight of the less-than-positive mess that is SUBURBICON comes in high production values that showcase a stylized view of the 1950s. Even if the more macabre moments rub you the wrong way (to me, they were the most redeemable bits of the film), you can’t deny that SUBURBICON looks good. It also makes this film’s poor performance at the box office stick out even more. If SUBURBICON were executed correctly, this might have wound up as one of the best films of last year and a potential Oscar contender. Instead, this is a mish-mash of uneven tones that don’t go together and will leave a lot of people disappointed. Good acting (the performers weren’t the problem in this film) and a handful of memorable moments aside, SUBURBICON is a huge misfire for Clooney and the Coen brothers (who clearly allowed their script to fall into the wrong hands).

Grade: C-

KINGSMAN: THE GOLDEN CIRCLE (2017)

Review by Derrick Carter

Running Time: 2 hours 21 minutes

MPAA Rating: R for Sequences of Strong Violence, Drug Content, Language throughout and some Sexual Material

Directed by: Matthew Vaughn

Written by: Jane Goldman & Matthew Vaughn

(based on the KINGSMAN comics by Mark Millar & Dave Gibbons)

Starring: Colin Firth, Julianne Moore, Taron Egerton, Mark Strong, Halle Berry, Elton John, Channing Tatum, Jeff Bridges, Pedro Pascal, Edward Holcroft, Hanna Alstrom, Poppy Delevingne, Bruce Greenwood & Emily Watson

KINGSMAN: THE SECRET SERVICE was one of the biggest cinematic surprises of 2014 and became a huge hit for its over-the-top R-rated action, goofy comedy, colorful characters, and self-aware spy plot. It was essentially the KICK-ASS of spy films. Last year, we finally got a follow-up to KINGSMAN and saw the next chapter in the super-spy adventures of Eggsy and his secret agent cohorts. Like almost every sequel in existence, KINGSMAN: THE GOLDEN CIRCLE is a step beneath the original film’s quality. However, there is still a lot to love about this ultra-violent, bombastic sequel.

A year after the events of the first KINGSMAN, hoodlum-turned-Kingsman-agent Eggsy (Taron Egerton) has been pulling off successful spy missions and wooing his Swedish princess girlfriend Tilde (Hanna Alstrom). Eggsy’s world gets a severe shake-up when robot-armed Kingsman reject Charlie (Edward Holcroft) leaks information that destroys the Kingsman headquarters. With their former secret service in shambles, survivors Eggsy and tech-wizard Merlin (Mark Strong) make their way to the USA’s Statesman organization. Their main objective is to take down the head honcho responsible for all of the death and destruction: Poppy (Julianne Moore) who just happens to run the world’s largest drug cartel and is currently holding millions of lives in her hands. As you might imagine, zany spy shenanigans and gory ultra-violence ensues.

For a sequel that took three years to hit theaters, THE GOLDEN CIRCLE actually does a damn fine job of continuing its cinematic world. The tone, characters, and wild action sequences all jive completely well with the first film. I watched GOLDEN CIRCLE right after a rewatch of SECRET SERVICE and (though it falters in other areas) this sequel is completely connected to the first film in cool ways. Taron Edgerton plays the year-older version of Eggsy as more confident, but still a young man who has self-doubts and problems to overcome (besides saving the world again). Mark Strong receives considerably more screen time as Merlin this time around. Seeing as all of the marketing has already spoiled it, Colin Firth also returns as the presumed-dead Galahad and is just as fun to watch in his second go-round.

Besides having lots of returning faces (including a stand-out Edward Holcroft as a metal-armed henchman), GOLDEN CIRCLE throws a lot of new characters into the KINGSMAN mix…with uneven results. The best new additions comes in Jeff Bridges as the Statesman leader and Halle Berry as the Statesman’s tech-master. Channing Tatum seemed like he would have a big role to play in the proceedings, but sadly gets sidelined for most of the film’s long running time. Julianne Moore steals the spotlight in her scenes as the overly cheerful (yet extremely sadistic) drug cartel lord. However, Moore’s villainess needed more screen time to shine because she doesn’t receive nearly the amount of fun interactions that Samuel L. Jackson’s speech-impedimented villain had in SECRET SERVICE. Pedro Pascal is a ton of fun as lasso-wielding Agent Whiskey though.

GOLDEN CIRCLE truly begins to show its sequel wear-and-tear when it comes to the film’s frantic juggling of subplots. There are a lot of things crammed into the 141-minute running time and it feels like it’s just too much at points. We see Colin Firth’s subplot and Merlin receives his own story arc. Eggsy is facing pressures with his princess girlfriend, facing ethical dilemmas on the field, and engaging in cat-and-mouse games against Charlie. There’s also something involving President of the United States (played wonderfully by Bruce Greenwood). Of course, the Kingsman have been destroyed and there are repercussions from that. Also, there’s a plot for world domination from Julianne Moore’s drug cartel lord and an out-of-nowhere kidnapping plotline. Did that sound like a lot of stuff? It is…arguably too much and more interesting moments suffer as a result from the script’s overcrowding.

On a positive note, KINGSMAN: THE GOLDEN CIRCLE remains entertaining the whole way through. It’s just a very messy film…and I’m not solely referring to the film’s gratuitous violence (which remains ridiculously awesome) when I say that. GOLDEN CIRCLE’s many storylines occasionally stifle each other, even if they are each cool in their own ways. There are nifty twists that heighten tension and provide excuses for awesome action scenes (never a bad thing in this series). The laughs are just as plentiful as ever too, because KINGSMAN still doesn’t take itself seriously in any way, shape, or form. If you liked or loved the first KINGSMAN, you’ll probably enjoy this one a lot too. Just don’t expect this sequel to live up to the heights of the original and you’re bound to have fun!

Grade: B+

My Bottom 10 Films of 2015

List by Derrick Carter

During the past two years that I’ve run this website, I have created a “Best of” list at the end of each December. I neglected to make a “Worst of” list because of my misguided belief that I shouldn’t further shame the films that I’ve already ridiculed with negative reviews. In 2015, things have changed and I’ve decided (at least for this year) to make a Bottom Films list to go along with my Top Films list. 2015 was a great year for films overall, but also had more than its fair share of flops. The following movies made me want to pull my hair out in frustration and weep quietly in the theater for having wasted money. Before I post my Top Films of 2015, I decided it would only be appropriate to get my picks for Bottom Films of 2015 out of the way first.

There were ten movies this year that wasted precious hours of my life that I’ll never be able to get back. Before getting into those, I’ll begin with a few dishonorable mentions. 2015 brought me two very shitty found footage horror flicks in AREA 51 and THE GALLOWS. Though it was marginally better than its predecessor, INSURGENT was still a hot mess of every recent young adult novel combined. THE TRANSPORTER: REFUELED came off like just another bland, generic action flick, making the Statham predecessors look like DIE HARD in comparison. HOT TUB TIME MACHINE 2 was a piss-poor follow-up to one of my favorite comedies of this past decade. Finally, PAN was a letdown on pretty much every level. I mean, Blackbeard sings Nirvana’s “Smells Like Teen Spirit” and Captain Hook fights a kung-fu warrior. Enough said. None of those aforementioned films are on my bottom ten though. So, without further ado, let’s move onto my picks for ten worst films of 2015:

10. Blackhat

10. BLACKHAT: Oh, how the mighty have fallen. Once upon a time, Michael Mann made masterful films like MANHUNTER (the first adaptation of RED DRAGON), HEAT (the awesome pairing of De Niro and Pacino), and COLLATERAL (one of my all-time favorite thrillers). Mann’s latest thriller, about an international hunt for a dangerous hacker, seemed like it could be a relevant and exciting fun time at the movies. However, I was fighting to stay awake when I sat through this endurance test in an auditorium populated by a total of six other attendees. BLACKHAT is boring and when it’s not boring, it’s stupid beyond belief. One of the dumbest scenes of the year occurs in the final third of this film in which Hemsworth duct tapes magazines around his chest to create a make-shift bullet-proof vest. I think that scene speaks volumes for the film by itself.

9. Hellions

9. HELLIONS: I managed to catch three movies at this year’s Sundance film festival. Two of those were quality horror films and nestled in-between them was this abomination. The initial set-up sounds like a feature-length version of the final segment from TRICK ‘R TREAT. A girl is terrorized by demonic trick-or-treaters on Halloween night. I was hoping for something weird and spooky, seeing as the director behind this film created the unconventional zombie flick PONTYPOOL. HELLIONS is definitely weird, but not in a good way. A misguided attempt to shoot in infrared makes everything appear pink. The acting is wooden. The story goes nowhere and becomes incomprehensible after the first 20 minutes. At the very least, the film is so bad that it’s funny, but not enough to recommend this low-budget disappointment.

8. Lazarus Effect

8. THE LAZARUS EFFECT: For some reason, half of the movies on this list are horror films. That wasn’t intentional, especially since it’s been a pretty good year for the genre. However, THE LAZARUS EFFECT is about as generic and confused as a genre film can get. The premise is cool and sounds like a modern-day take on FLATLINERS. However, the screenplay just cannot decide which direction it wants to take with the material. Is this movie about hell and demons? Is it supposed to be a Frankenstein-like science gone wrong tale? Is the main villainess supposed to be the horror equivalent of Lucy from LUCY? Apparently, it’s all of these things…plus a string of cheap jump scares and a group of insufferably annoying characters.

WOMAN IN BLACK 2

7. THE WOMAN IN BLACK 2: ANGEL OF DEATH: The first of four sequels on this list, WOMAN IN BLACK 2 was the first official wide release of 2015…and what a crappy release it was. I actually dug 2012’s WOMAN IN BLACK  as a spooky little ghost movie and hoped that this sequel would be more of the same. The ghost who kills children is practically handed a plate of potential victims and then does nothing remotely interesting with them. The visuals give a look of an atmospheric ghost story, but cheap jump scares and a bland script make this the epitome of everything wrong with modern big-budget horror movies.

6. Joe Dirt 2

6. JOE DIRT 2: BEAUTIFUL LOSER: Confession time. I like the first JOE DIRT. I really do. It’s a stupid, crude and moronic flick, but I enjoy it as a fun guilty pleasure. For whatever reason, I was sort of looking forward to this straight-to-Crackle sequel. Aside from three decent chuckles, the film is a long laughless slog of a sequel. It seems content to merely reference the original film, instead of tell its own white-trash story. The film moves from bad set-piece to bad set-piece for nearly two hours(!) before ending in the biggest cop-out conclusion imaginable. Not even an endless supply of buffalo wings and beer could make this film enjoyable.

5. Contracted 2

5. CONTRACTED: PHASE 2: A follow-up to 2013’s better-than-expected body-horror flick, this sequel was clearly made as a cheap cash-in for the small audience that enjoyed the original. CONTRACTED 2 is shoddily written and badly directed by people who clearly had no interest in the original film and it shows. Despite running at only 78 minutes, the experience feels agonizingly long. The first CONTRACTED was an interesting body-horror take on an overpopulated subgenre, while this sequel is just another terrible low-budget zombie flick. CONTRACTED 2 also has the balls to put in two end credits scenes that are clearly setting up for PHASE 3. Count me out!

4. Seventh Son

4. SEVENTH SON: Studio delays and February release date aside, I was hoping that SEVENTH SON would be entertaining. I wasn’t expecting high art, but I was expecting something watchable. My hopes and middling expectations were bashed to pieces by a lame fantasy that was dull as dirt. This flick stands alongside CIRQUE DU FREAK, ERAGON, and THE SEEKER as one of the worst young-adult adaptations to ever hit the big screen. Jeff Bridges is damn near incomprehensible as the drunk monster-killer, while Oscar winner Julianne Moore should be embarrassed for playing the cheapo looking evil witch. The effects try to be ambitious and cool, but come off as boring and unconvincing. This movie proves that a guy killing monsters can somehow be made boring. Yet another potentially cool young-adult film series bites the dust.

3. Mortdecai

3. MORTDECAI: Johnny Depp has a moustache and goofy teeth. Isn’t that funny?!? No? Well, that’s too bad, because the makers of this film seem to think it’s a riot. Based on a series of British comedic novels, MORTDECAI very well might be the worst film that Johnny Depp has ever starred in…which is quite a feat in and of itself. This bland caper comedy unsuccessfully tries to mimic a PINK PANTHER sense of humor, but doesn’t get any of it right. The laughs are dusty. The performers look like they want their scenes to be over as fast as humanly possible. If the movie had been about Paul Bettany’s bodyguard character, it would have been far funnier and more original. 2015 was a year that featured one of Johnny Depp’s best performances (BLACK MASS) as well this being his worst.

2. Human Centipede 3

2. THE HUMAN CENTIPEDE 3: FINAL SEQUENCE: I didn’t walk into HUMAN CENTIPEDE 3 with high expectations. I liked FIRST SEQUENCE and disliked FULL SEQUENCE. The FINAL SEQUENCE of the ass-to-mouth trilogy was set in a prison, starred the main villains from the first two films, and aimed for a comedic meta-approach to the material. It would be nice if we actually got a human centipede before the final 20 minutes of the running time. Up until that point, the viewer is subjected to a various list of on-screen atrocities which include a jar of clitorises being devoured, someone raping a kidney, a graphic castration and the list goes on. I can appreciate shocksploitation (I really enjoyed Eli Roth’s GREEN INFERNO), but HUMAN CENTIPEDE 3 executes all of its gory gusto with the production values and “talent” of a basement porno. What could possibly be worse than this film?…

1. Fantastic Four

1. FANTASTIC FOUR: FANTASTIC FOUR is the worst superhero movie that I’ve ever seen. This dark, gritty reboot of the goofy comic series makes the 2005 and 2007 films look like classics in comparison. To be honest, this movie doesn’t feel like a movie at all, but rather a 125 million dollar excuse for Fox to keep the franchise rights away from Marvel Studios…which is appropriate because that’s why this movie was made in the first place. I enjoyed the director’s previous effort (CHRONICLE) and like a number of the performers here (Miles Teller, Kate Mara, Toby Kebbell), but there’s no excuse for the unbelievably terrible quality of this film. FANTASTIC FOUR is a complete and total failure. I’d rather sit through BATMAN & ROBIN, ELEKTRA, and CATWOMAN in a marathon from hell than ever endure a repeat viewing of this movie ever again.

Here’s hoping for less bad movies in 2016…

THE HUNGER GAMES: MOCKINGJAY Part 2 (2015)

Review by Derrick Carter

Running Time: 2 hours 17 minutes

MPAA Rating: PG-13 for Intense Sequences of Violence and Action, and for some Thematic Material

Mockingjay2 poster

Directed by: Francis Lawrence

Written by: Danny Strong & Peter Craig

(based on the novel MOCKINGJAY by Suzanne Collins)

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Donald Sutherland, Julianne Moore, Philip Seymour Hoffman, Sam Claflin, Jena Malone, Natalie Dormer, Willow Shields, Jeffrey Wright & Stanley Tucci

This year marks the conclusion of THE HUNGER GAMES. Fitting snugly into the young adult fiction void left by HARRY POTTER and TWILIGHT, Suzzanne Collins’ teeny-bopperized version of BATTLE ROYALE made huge waves on the big screen. While I didn’t care for the first film at all, I found CATCHING FIRE to be surprisingly well-executed. Like seemingly all modern book adaptations, the final novel of the series was split into two separate films. As a result, MOCKINGJAY Part 1 felt like a feature-length first act. Picking up from the exact final seconds of Part 1, MOCKINGJAY Part 2 returns to the level of quality that CATCHING FIRE brought to the franchise. This is a very dark, intense, and satisfying final chapter to the HUNGER GAMES saga.

Mockingjay2 1

Katniss’s propaganda campaign worked wonders for the rebels of Panem and the nation is in the midst of a full-blown revolutionary war. While the united Districts may have a massive army of soldiers, the sinister President Snow still has a few dirty tricks up his sleeve. He’s employed brainwashing techniques to turn Peeta against Katniss and has rigged the Capitol with hundreds of deadly booby traps. As this war progresses towards its darkest final hours, Katniss (aided by a handful of former Hunger Game survivors and freedom fighters) sets out across the deadly city landscape to assassinate President Snow. However, she discovers that there are few people that she can trust in this war.

Mockingjay2 2

MOCKINGJAY Part 2 is dark, really dark. This fourth and final HUNGER GAMES installment is more horrific and intense than any of the previous chapters. Though it still contains a slight level of silliness, I found myself sucked into this story more than I was during the entirety of Part 1. Instead of merely using the repeated formula of a group of individuals trying to kill each other in a booby-trapped stadium, MOCKINGJAY Part 2 instead makes the viewer realize how big and bad the war raging in the Capitol is. As a result, the script is far more mature than I expected it to be. There’s a very strong anti-war message that’s undeniable as lives are lost on both sides and certain individuals twist the chaotic violence for their own personal gain.

Mockingjay2 3

As far as the cast goes, Jennifer Lawrence has never been better as Katniss. The character has a quiet intensity for most of the film that feels convincing (especially given everything that’s happened to her throughout the past three movies). Lawrence’s strongest scene comes from her character having a pure emotional meltdown during a moment in the final third that was completely believable. I imagine that particular scene is bound to get a few fans crying in the theater. Though MOCKINGJAY Part 2 still has an annoying love-triangle aspect (which did remind me of the horrible TWILIGHT movies), I felt that both Josh Hutcherson and Liam Hemsworth brought their A-game as Peeta and Gale. They are more than just eye candy for teenage girls and actually serve a purpose in the plot.

Mockingjay2 4

Julianne Moore returns for a much bigger role than she had in Part 1 as President Coin. Next to her side is the brilliant Philip Seymour Hoffman in his final on-screen performance. Though he only receives about 5 minutes of total screen time, Hoffman is just as talented as he ever was. Elizabeth Banks and Woody Harrelson reprise their roles, but don’t necessarily have a ton to do in this final chapter. The colorful-haired Stanley Tucci also pops in for a one scene appearance, while Jena Malone (who plays one of my favorite characters in the whole series) is mostly regulated to the sidelines for about three good scenes. Natalie Dormer, who was an important player in Part 1, only receives about a handful of lines and mainly stands in the background as an extra gun. Donald Sutherland owns the role of President Snow as a menacing politician who’s always the smartest, and most dangerous, person in the room. Most of the supporting cast members aren’t necessarily given a ton to do, because this is Katniss’s story.

Mockingjay2 5

MOCKINGJAY Part 2 is beautifully shot and has many stand-out sequences. Creative booby traps provide some of the more exciting moments (an oil pit being a definitely highlight). There’s a nice atmosphere of tension and hopelessness (despite us knowing full well how this story is probably going to play out). Though most of the CGI works well, there’s one scene in a sewer that looks as if it took a page out of RESIDENT EVIL or (more recently) THE SCORCH TRIALS with some silly-looking creatures. There’s also a minor plot hole that annoyed me for a few minutes when it popped up. The running time runs a tad too long thanks to this film having the same amount of endings as RETURN OF THE KING. There were about three shots where the movie could have ended perfectly and it kept going as if to show us every minor detail to the point of annoyance.

Mockingjay2 6

Truthfully told, there’s no reason why MOCKINGJAY couldn’t have just been a three-hour long final movie. The decision to split the story in two films was purely financial and contributes to pacing problems. Part 1 feels like the first act of a movie and Part 2 feels like the last two acts of that same movie. With some complaints aside (silly monsters, an ending that overstays its welcome, and a few wasted performances), MOCKINGJAY Part 2 is on the same level as CATCHING FIRE for me. It was nice to watch a young-adult movie series that started off on a shaky note and became something far better than it probably should have been by its finale. THE HUNGER GAMES franchise has left a mark in cinema as a new blockbuster sci-fi saga that will be remembered for years to come. MOCKINGJAY Part 2 serves as a more than satisfying final note to go out on.

Grade: B

EVOLUTION (2001)

Review by Derrick Carter

Running Time: 1 hour 41 minutes

MPAA Rating: PG-13 for Crude and Sexual Humor, and for Sci-Fi Action

Evolution poster

Directed by: Ivan Reitman

Written by: David Diamond, David Weissman & Don Jakoby

Starring: David Duchovny, Julianne Moore, Orlando Jones, Seann William Scott, Ted Levine, Ethan Suplee, Ty Burrell & Dan Aykroyd

EVOLUTION is a movie that can be summed up in three words: GHOSTBUSTERS with aliens. Don’t believe me? This movie is even directed by the same guy who brought both GHOSTBUSTER films to the screen. He’s treading familiar cinematic waters with a fresh cast and a different monster. I don’t distinctly remember the level of excitement that this film had upon release (I was 10 years old at the time), but I do remember it being a regular sleepover movie (at least, for me). So it had some sort of impact on kids and adults at the time, going as far as to receive a short-lived animated series as well.

MSDEVOL EC019

When a meteor crashes into Earth and winds up at the bottom of an 80-foot crater, it appears to be the discovery that Ira Kane and Harry Block, two college professors and friends, have been waiting for. They cut off a sample of the space rock and find that there’s extraterrestrial life contained in some goo from the meteor. What’s even more peculiar is that this goo seems to be evolving at a rapid rate with single-celled organisms becoming worms in the space of three days. Soon enough, the U.S. military arrives to steal Ira and Harry’s discovery. This annoyance becomes the least of their problems, because hostile alien creatures begin to invade nearby areas and attack civilians. It’s up to Harry, Ira, Wayne (an idiot fireman-in-training) and Allison (a clumsy scientist) to take down the alien menace before we go extinct…

MSDEVOL EC002

EVOLUTION has a number of famous faces in the cast, but these were the early days for a few of them. David Duchovny was coming fresh off of X-FILES and that seems to be the sole reason for his presence. As the main lead, he’s bland and delivers his lines in a wooden unenthused sort of way. Starring alongside him is MADTV regular Orlando Jones, who easily stands out as the best part of this movie. Jones nails nearly every one-liner he receives and has a hilarious highlight as scientists try to capture an alien bug inside of his colon (without the aid of lubricant). Jones never went on to have the career that he really deserved, but he’s easily the best part of this whole film. Ted Levine and a (far younger) Ty Burrell serve as inept military officers. They aren’t played for laughs, but do play off each other well as dickhead human antagonists. Seann William Scott (coming off AMERICAN PIE) is hit-or-miss as the would-be fireman. Dan Aykroyd is sadly underutilized as the city’s Mayor, while Julianne Moore is wasted on a one-joke character. The joke is that she’s clumsy and the movie gets all the mileage it can out of her tripping, dropping stuff, and running into things.

MSDEVOL EC005

The story itself is predictable. You won’t have a hard time at all guessing how everything will play out, but that’s doesn’t necessarily make the whole film bad as the encounters with the aliens themselves are fun. Some of the effects haven’t aged well over time, while others look impressive. One monster coming out of a lake is Syfy level quality of CGI these days, but looked pretty cool at the time this film was made. The alien designs are also creative with a green-skinned dog-like creature, winged dinosaurs, and blue-skinned apes being highlights. The movie too often relies on cheap, obvious humor, but even these moments can get still get a few laughs out of me.

MSDEVOL EC001

EVOLUTION is pretty much a shameless remake of GHOSTBUSTERS under a different name, complete with a climax involving characters wearing matching jump-suits to take down a giant otherworldly menace. The cast is a mixed bag with certain actors being highlights and others being wasted on bland characters. The aliens themselves are cool to look at and the scenes of our heroes fighting them are enjoyable. I won’t deny that my vision of this film might be slightly clouded by a nostalgic haze (I watched this a lot when I was a kid), but EVOLUTION stands as an entertaining guilty pleasure.

Grade: B-

Blog at WordPress.com.

Up ↑