Review by Derrick Carter
Running Time: 2 hours 4 minutes
MPAA Rating: R for Violence, some Sexuality/Nudity, Language and brief Drug Use
Directed by: Robert Zemeckis
Written by: Steven Knight
Starring: Brad Pitt, Marion Cotillard, Jared Harris, Matthew Goode, Lizzy Caplan, Anton Lesser, August Diehl, Camille Cottin & Charlotte Hope
On the surface, ALLIED sounds like a great film. It’s set during World War II and is rated R, meaning that we get graphic violence of undercover agents fighting Nazis. Robert Zemeckis has helmed many notable films in the past, meaning there was a sturdy hand behind the camera. Steven Knight has written stellar work in the past, turning a car ride into an intense drama and delivering one of the best gangster films of the 2000s. ALLIED also places Brad Pitt and Marion Cotillard into a premise that sounds like it would make Alfred Hitchcock proud. However, this movie is just okay. Despite all of that promise and potential, this is a decent enough romantic-thriller that doesn’t really do anything remarkable.
The year is 1942 and the place is Casablanca. Canadian Air Force officer Max Vatan (Brad Pitt) has arrived on a top-secret assassination mission. Max has been assigned the role of “husband” to his French Resistance partner Marianne Beausejour (Marion Cotillard). Though the two begin as a fictional couple, Max and Marianne become a real couple after their mission succeeds. The two are madly in love and have a child together, which makes it all the more strange when Max is called in on a top-secret mission. You see, the higher-ups at Max’s job believe that Marianne may be a German spy. With a ticking clock and crucial information at hand, Max decides to disobey his superiors and investigate whether his newest mission is only a test or if his wife is actually a deadly double-agent.
ALLIED had plenty of potential from its Hitchcock-esque premise to the staggering amount of talent involved (both in front of the camera and behind-the-scenes), but the film frequently falters under its own bloated weight. This period piece drama feels like a thriller that’s also trying juggle being a love story and potential Oscar bait. The end result is a mixed bag. There are strong moments though. Don’t get me wrong. A few sequences have a knack for turning everyday encounters and seemingly mild-mannered moments into something very tense. There is a palpable sense of a suspense and a ticking clock of urgency, while the script occasionally jerks the viewer’s suspicions around.
However, ALLIED takes a while to get into its thriller set-up. By a while, I mean that two-thirds of this film are actually the romantic thriller that was advertised, while the other third is dedicated to the couple falling in love amidst a war-torn country. There is enough believable chemistry between Brad Pitt and Marion Cotillard to make you wonder if those tabloid rumors about an affair were true. Pitt and Cotillard play characters who are trying to go about their lives in severe circumstances (like frequent air raids as they try to tuck in for the night), but a few supporting faces stick out as well.
Jared Harris is phenomenal as Max’s commanding officer. His screen time may be limited, but Harris makes a strong impression as a tough-as-nails, good-hearted soldier who’s trying to do the right thing. Matthew Goode has a blink-and-you-missed it scene as a former veteran. Meanwhile, Simon McBurney is totally wasted as a “rat-catcher” for spies. His initial introduction was so strong that it made me excited to see more of this confrontational character. Unfortunately, that introduction is the only scene he’s present in. It also bears mentioning that German actor August Diehl played a scumbag Nazi in Quentin Tarantino’s INGLORIOUS BASTERDS and returns here…as another scumbag Nazi.
Even when ALLIED’s good performances, classy production values and so-so suspense works, the script gets bogged down in dull stretches of not much happening. Brad Pitt runs to one place and talks to a guy…only for that scene to be ultimately rendered pointless. So, he runs to another place and talks to another guy, but that might be a red herring. This process repeats throughout the film’s running time. Great thrillers can be made of dialogue and conversations. Just look at any of the recent John le Carre adaptations (e.g. A MOST WANTED MAN and THE NIGHT MANAGER). ALLIED isn’t one of these. Instead, it’s just poorly paced and lazily written.
This movie feels like it’s suffering from an identity crisis about what kind of film it wants to be. Is it a WWII drama? Is this a Hitchcockian thriller? Is this a beautiful love story or a star-powered piece of failed Oscar bait? It’s a combination of all of these and winds up as a mixed bag of a movie that’s okay at best. This film is watchable and has a handful of good qualities, but that’s not necessarily high praise. When you consider all of the talent that went into it, ALLIED seems like even more of a letdown. Not bad by any stretch of the imagination, but just disappointingly decent.