MUPPETS MOST WANTED (2014)

Review by Derrick Carter

Running Time: 1 hour 52 minutes

MPAA Rating: PG for some mild Action

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Directed by: James Bobin

Written by: Nicholas Stoller & James Bobin

Starring: Ricky Gervais, Ty Burrell, Tina Fey, Steve Whitmore, Eric Jacobson, Dave Goelz, Bill Barretta, Peter Linz, Zach Galifianakis, Salma Hayek, Tom Hiddleston, Frank Langella, Ray Liotta, James McAvoy, Chloe Grace Moretz, Danny Trejo, Stanley Tucci & Christoph Waltz

In 2011, those lovable oddball puppets known as the Muppets appeared in the aptly titled THE MUPPETS. While I liked that film to a certain degree, it was a tad underwhelming and never really focused on what made the Muppets so successful to begin with. With MUPPETS MOST WANTED, the humans play side characters and the Muppets themselves take center stage for this caper-adventure-musical. It’s far from perfect, but it’s a great romp nonetheless!

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“The End” remains in the sky formed from fireworks at the closing of the last film. The cameras are still rolling. This obviously means that the studio wants a sequel (as Gonzo sings “at least until Tom Hanks does TOY STORY 4”). So the Muppets meet with a manager, named Dominic Badguy (pronounced Bad-gee), and sign up for a worldwide tour. Meanwhile, a criminal frog named Constantine escapes from a high-security prison in Russia. Kermit accidentally runs into him and Constantine cleverly switches places. Posing as the host of the Muppet show (and doing a bad voice impression of Kermit), Constantine is in cahoots with Badguy. Together they are pulling off a series of intricate heists and using the Muppet tour to avoid suspicion. With Kermit locked away in the Russian slammer, it’s up to a small group of Muppets to rescue Kermit, take down Constantine, and save the day!

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Though the opening musical number states that “sequels aren’t ever quite as good”, I found MUPPETS MOST WANTED to be a significant step up from the predecessor. Considering this is actually the eighth installment of their theatrical films, the Muppets haven’t lost their witty humor and still know how to win over a crowd. Keep your eyes peeled and you’ll spot a ton of celebrity cameos throughout. None of these are distracting. I’d dare say that some of them are nothing short of brilliant. One of which actually got a cheer from numerous people in my theater. The Muppets (though undeniably puppets) have a charming lifelike quality that is just as effective as the living people surrounding them. Certain humans stand out more than others. Ricky Gervais is clearly having a blast playing Badguy and provides a lot of solid laughs. The relationship between Ty Burrel’s Interpol agent and CIA agent Sam the Eagle that was my favorite part of the film. Those two cracked me up constantly and it was almost like the Muppets do a cop drama with the intended hilarious results.

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Some people have praised Tina Fey’s performance as the singing Russian prison officer. I actually didn’t like her character much and found her to be more annoying than anything else. The songs, while catchy in the context of the film, didn’t stick with me after I was done watching it (unlike other Muppet films). The running time of almost two hours long feels a tad stretched too. I never got bored, but I could feel that some scenes were going on a little longer than they needed to. It’s the one of same problems that 2011’s THE MUPPETS suffered from and I did enjoy MUPPETS MOST WANTED so much more than that initial let-down. These flaws take things down a notch, but it remains solid wholesome entertainment for the entire family.

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Though I did have some problems with the film, MUPPETS MOST WANTED is ultimately a cheerful upbeat tale that will delight both adults and children alike. The songs work in the film and it’s clear that all the stops were pulled out to treat this caper as a legitimate adventure…that just happens to have Muppets. MUPPETS MOST WANTED ranks just behind MUPPET TREASURE ISLAND (which still remains my favorite film starring this group of oddballs). The never-ending sense of humor and rapid fire pace of the jokes themselves (though the plot could have used a shorter running time) are both enough to warrant a solid recommendation. Welcome back, Muppets! You’ve been missed!

Grade: B

FRANKENSTEIN (1994)

Review by Derrick Carter

Running Time: 2 hours 3 minutes

MPAA Rating: R for Horrific Images

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Directed by: Kenneth Branagh

Written by: Steph Lady, Frank Darabont

(based on the novel FRANKENSTEIN by Mary Shelley)

Starring: Kenneth Branagh, Robert De Niro, Helena Bonham Carter, Tom Hulce, Ian Holm, John Cleese, Aidan Quinn, Richard Briers

Without a doubt one of the greatest and most influential horror stories of all-time, FRANKENSTEIN has been adapted in countless ways. Produced on 45 million by Francis Ford Coppola (who had directed DRACULA a mere two years before), this version of FRANKENSTEIN was considered by many to be overblown. It wasn’t nearly as financially or critically successful as DRACULA. However, as time has gone on, the film has been noted as one of the most faithful-to-the-novel versions of the story (the widely acclaimed 2004 miniseries went on to hold the number one title in that department). While some have said that it’s style over substance and is lacking in certain respects, I completely disagree. I have yet to see the 2004 miniseries, but this 1994 film is my favorite FRANKENSTEIN story thus far.

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For those who are completely out of the loop, Victor Frankenstein is a wealthy young aristocratic genius. His mother tragically dies in childbirth and it’s an experience that deeply affects Victor. So he vows that nobody will ever have to die again (overpopulation be damned) and so it’s off to a prestigious college in Germany. Victor finds himself constantly bickering with his hoity-toity professors and their so-called scientific ways. He wants to create life, which as they say “is not only impossible, but immoral.” With the help of fellow scientist, Victor slowly learns the possibilities of life and gives this gift to a creation of his own…with disastrous results.

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That’s about all you need to know about the plot, especially if you haven’t read the novel and don’t know how things play out. Rest assured, this is far different than the 1931 Boris Karloff classic. As great as that monster movie is, it’s essentially the dumbed down concept of the novel (much like the 1933 version of THE INVISIBLE MAN). FRANKENSTEIN is a far more complex story than just a creature feature. There’s philosophical questions that are raised. How far does science need to go before it’s considered morally wrong? What makes us human? These kind of concepts are covered in an intelligent way through a story of a scientist and his monstrous creation.

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This is classical horror and the production designs make it seem epic in scale. Every shot is carefully chosen. The set design is fantastic. As for the actors themselves, Kenneth Branagh doubles as both director and Victor Frankenstein. He knows exactly how the character should be portrayed. While he begins as a heartless man doing despicable things for the sake of the science, he regains his humanity later on, but it’s far too late when the creature seeks a calculated revenge.

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There have been many performers given the role of Frankenstein’s Monster. These range from Boris Karloff and Christopher Lee to Jonny Lee Miller and Benedict Cumberbatch. Robert De Niro isn’t the first name one thinks of when Frankenstein’s monster is brought up. It cannot be denied that De Niro gives the creature a certain amount of pure emotion that was needed for the role. One moment is downright heartbreaking to watch and in others, his anger is fierce beyond compare.

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Like all the film adaptations, certain liberties were taken with the material. This isn’t detrimental to the film at all though. Beautifully shot and well-told, FRANKENSTEIN deserves to be right up there with Bram Stoker’s DRACULA. It’s a pity that the trend of reviving classic horror tales ended here. Sure we have Universal’s silly new WOLFMAN (which stripped all the elements of character that the original had) and a rumored upcoming CREATURE FROM THE BLACK LAGOON remake, but I want to see H.G. Well’s THE INVISIBLE MAN and Robert Lewis Stevenson’s DR. JEKYLL & MR. HYDE. Horror has roots in the classical period of storytelling and when a film like FRANKENSTEIN comes out, it must be celebrated. This is a mature and adult telling of a story that was serious to begin with. I consider this version of FRANKENSTEIN to be essential viewing for horror fans!

Grade: A+

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