Review by Derrick Carter
Running Time: 4 hours 17 minutes
Directed by: Steven Piet
Written by: Nick Antosca, Harley Peyton, Mallory Westfall, Don Mancini, Erica Saleh, Katie Gruel, Lisa Long & Angel Varak-Iglar
(based on the creepypasta THE NO-END HOUSE by Brian Russell)
Starring: Amy Forsyth, Aisha Dee, Jeff Ward, Seamus Patterson, Sebastian Pigott, Jess Salgueiro, Melanie Nicholls-King & John Carroll Lynch
Creepypasta (modern online horror stories/urban legends) and the Syfy Channel sounds like a disastrous combination. Fortunately, CHANNEL ZERO (Syfy’s creepypasta series) delivers small-screen chills in ways that few other horror shows have ever been able to accomplish. AMERICAN HORROR STORY wishes that it was this scary, clever, and imaginative. CHANNEL ZERO’s first season (CANDLE COVE) reminded me of something that Stephen King might have written in his heyday. CHANNEL ZERO’s second season (NO-END HOUSE) is even better than the already great first season. CHANNEL ZERO: NO-END HOUSE is creepypasta adapted into a genuinely scary visual thrill ride.
Margot Sleator (Amy Forsyth) is still coping with her father’s (John Carroll Lynch) tragic death. In an effort to cheer up and do something fun, Margot and her friends (Aisha Dee, Jeff Ward, and Seamus Patterson) decide to visit an internet-famous haunted house. The ooky spooky attraction has six rooms, each one is supposedly scarier than the last. However, this supposedly fun time transforms into a psychological nightmare as the No-End House’s scares quickly become personal and last far longer than originally expected. I’m being purposely vague, lest I spoil any of the nasty surprises that NO-END HOUSE’s ever-twisting narrative has up its sleeve.
Much like the first season’s plot, Brian Russell’s creepypasta is treated simply as a starting point for a more complicated tale. To be fair, I highly recommend that you check out (at least the first two parts of) Russell’s creepypasta because it’s easily my favorite creepypasta. I was pumped to watch CHANNEL ZERO’s second season and certainly wasn’t disappointed by the final product. This six-episode miniseries is messed up in plenty of ways…and almost none of them are violently gory. There are bits of nasty violence sprinkled throughout the six episodes, but NO-END HOUSE’s frights come from a combination of eerie suggestion, nightmarishly bizarre imagery, and a dark psychological horror story.
I was very impressed by the performances in NO-END HOUSE. Syfy Channel and good acting are two things that you never typically hear uttered in the same sentence, but NO-END HOUSE is the exception. Amy Forsyth is particularly great as the ultra-depressed Margot, who finds a form of twisted comfort in the titular haunted attraction…though her life may be at stake for it. John Carroll Lynch steals the show with genuinely emotional flashbacks and also becomes a terrifying presence as this miniseries progresses onwards. I won’t say too much, but Lynch’s later scenes paint him as a conflicted character and I loved his moral dilemma that the series also throws onto the viewer’s conscience.
Aisha Dee plays Margot’s best friend, Jules, to near-perfection. Dee’s character is deeply flawed, but has good intentions at heart and wants to do the right thing…while also trying to survive the No-End House. Jeff Ward’s character is believable for most of the miniseries, though he does get too hammy during the finale. Seamus Patterson has fun in dual roles and remained an interesting presence throughout. In having these different friends overcoming/succumbing to their horrific personal trials, NO-END HOUSE juggles multiple plotlines for most of its six episodes. This approach was wise as each character’s storyline may have served as fodder for its own season, but combining them all into one trippy scarefest insures that there’s never a dull moment.
NO-END HOUSE’s production values look great and this season’s concepts are huge. Even though NO-END HOUSE revolves around the horrors of a single haunted house, the scale and magnitude of the season far surpass anything in CANDLE COVE. The constant barrage of legitimately freaky imagery ranges from disturbing to just plain odd. An atmosphere of suffocating dread hangs over every episode and never really lets the viewer get comfortable (a great quality for a suspenseful horror story). I was constantly on edge and frequently wondered how in the hell this might end. The twists that NO-END HOUSE takes in its second half are especially unnerving and downright ballsy.
My only complaints with NO-END HOUSE stem from Jeff Ward’s hammy acting in the finale (that’s not aided by a few lines of clichéd, stupid dialogue) and one storyline that felt like it was cut too short for no real reason. Admittedly, this subplot’s conclusion was a shock. The more I think about it though, the more I feel like it might have ended early purely for the sake of focusing on other characters and not because it was a suitable/believable ending for that storyline. I hate being vague, but it’s really easy to spoil spooky surprises in NO-END HOUSE.
Syfy Channel has done it again! They’ve managed to pump out another creepypasta miniseries that’s well-written, has great production values, and is one of the creepiest things I’ve seen on the small screen in quite some time. In a world where THE WALKING DEAD has become a zombie soap opera and AMERICAN HORROR STORY tries way too hard to be edgy, it’s great to have a legitimately freaky series like Syfy’s CHANNEL ZERO. Though it’s not without a couple of noticeable flaws, NO-END HOUSE is well worth a look for horror fans who enjoy creepypastas and want disturbing psychological frights (as opposed to pure gory shock value).