Review by Derrick Carter
Running Time: 2 hours 7 minutes
MPAA Rating: PG-13 for Intense Sequences of Fantasy Action/Violence and Peril
Directed by: Tim Burton
Written by: Jane Goldman
(based on the novel MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN by Ransom Riggs)
Starring: Eva Green, Asa Butterfield, Ella Purnell, Terence Stamp, Judi Dench, Chris O’Dowd, Finlay MacMillan, Lauren McCrostie & Samuel L. Jackson
To be perfectly blunt, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN is Tim Burton’s X-MEN. I’m far from the first person to say that and I know that this film is based on a popular series of dark-fantasy books. However, the comparison is definitely valid. Taken on its own merits, there are positive qualities in PECULIAR CHILDREN. However, lots of factors contribute to the film being merely okay as opposed to anything special or a return to oddball form for Burton. This is yet another young-adult adaptation that feels like set-up for a franchise with more interesting installments down the line.
Jake Portman (Asa Butterfield) is an angsty teen who’s recently lost his dementia-ridden grandfather Abe (Terence Stamp) to unnatural causes. Abe would constantly wow kindergarten-aged Jake with tales of invisible children, monsters, and shapeshifters, but Jake outgrew those silly stories. In coping with his grandfather’s untimely death, Jake discovers there may be some truth to the old man’s stories. Jake soon finds himself immersed in a “time loop” with weird headmistress Alma Peregrine (Eva Green) and her peculiar children. Dark forces soon threaten Jake, Peregrine and the strange youngsters, putting bravery to the test and throwing Jake into a supernatural conflict that he’s just beginning to understand.
The good news is that MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN isn’t on the same low quality that many other generic adolescent-aimed adaptations have been. This isn’t nearly as lame as something like DIVERGENT, BEAUTIFUL CREATURES, BEASTLY, TWILIGHT, etc. The slick cinematography, special effects (lots of cool CGI and impressive stop-motion) and sheer amount of creativity make PEREGRINE serviceable enough for older viewers and entertaining for younger viewers who might not be familiar with the books. Burton has occasional moments of great weirdness that feel like they belong in his earlier films. The second half is fun to watch as we see the X-Men, I mean the Peculiar Children, facing off against Lovecraftian monsters.
Now for the negative, PECULIAR CHILDREN takes an entire hour to set up the basics of its plot and establish the supernatural world that Jake finds himself in. There have been plenty of fantasy adventures that introduced new story elements as the plot moved forward, but PEREGRINE seems to be deliberately taking its time to establish the universe for future films. There are so many rules, exposition-filled conversations, and explanations that it takes nearly 60 minutes to sit through these patience-testing plot developments. What’s even more frustrating is that apparently this film deviates significantly from the source material (according to a friend who has read the books), so this is a problem that lies squarely on the movie’s shoulders.
As far as characters go, almost everybody seems to be defined by their powers. To bring up the aforementioned X-MEN comparison, there are mutants in that series who are defined by their powers, but there are also plenty of deep backstories and distinct personalities. The same cannot be said of MISS PEREGRINE as these kids are their peculiarities (a.k.a. powers). These supernatural abilities (or as Charles Xavier would call them “gifts”) serve as jokes, defense tools and excuses to further along the plot (e.g. one kid projects his dreams). Asa Butterfield has proven himself to be a talented performer in the past (HUGO, ENDER’S GAME) and seems to be have been handed a bland protagonist here. Jake feels like a character that we’ve seen a million times before and portrayed better.
Terence Stamp is decent as Jake’s “delusional” grandfather, while Chris O’Dowd is entirely wasted as Jake’s concerned father. He’s understandably worried about his son’s mental health and we never get a concluding scene with his character. Eva Green is hollow as Miss Peregrine, serving almost no purpose other than guarding the children and explaining stuff to Jake (and the viewer). Samuel L. Jackson plays his most over-the-top villain since 2008’s THE SPIRIT as the eyeball-eating mad scientist Barron. It seems like Tim Burton (as so many other directors have) just let Jackson do his own thing in front of the camera. Sometimes this strategy works and other times (like in this film) it falls completely flat.
Though MISS PEREGRINE definitely has problems, it should be mentioned that I don’t think this is a bad film. It’s just one of the lesser Burton efforts and seems overly familiar in a cinematic landscape that’s already become watered down with young adult adaptations in recent years. PECULIAR CHILDREN is just okay by both Burton standards, adolescent adaptation quality, and pure entertainment. I had fun watching the second half and was utterly bored by the poorly paced first hour. I wouldn’t necessarily be opposed to sitting through any future PECULIAR installments in a potential trilogy. However, it would be nice if franchise starters could hold up on their own merits as opposed to feeling like a feature-length commercial for future sequels that might not even happen.