Review by Derrick Carter
Running Time: 1 hour 53 minutes
MPAA Rating: R
Directed by: Martin Scorsese
Written by: Paul Schrader
Starring: Robert De Niro, Jodie Foster, Harvey Keitel, Cybill Shepherd, Albert Brooks, Leonard Harris & Peter Boyle
Widely considered to be one of the greatest films of all-time by critics, TAXI DRIVER cemented Martin Scorsese as one hell of a filmmaker and earned a fair share of controversy at the time of its release. The film is a character study of the darkest kind and takes the viewer into an unforgettable urban hell that’s guaranteed to make you feel unclean. This gritty, grimy crime-thriller is not a pleasant experience, but it certainly is an amazing one. Shining a light on places that society prefers to look away from, TAXI DRIVER is a seminal piece of 70’s cinema.
Vietnam vet Travis Bickle (Robert De Niro) can’t sleep. This insomniac has secured a job driving taxi cabs through all areas of New York City at night. While on the streets, he witnesses the dregs of society and wishes that a rain would wash the world clean. After failing to start a relationship with political activist Betsy (Cybill Shepherd), Travis soon decides that he wants his life to have a purpose. With his mental state quickly unraveling, the unhinged Bickle obsesses over two potential causes: rising Senator Charles Palantine (Leonard Harris) and teenage prostitute Iris (Jodie Foster).
TAXI DRIVER doesn’t run on plot, but instead on the experiences of its titular main character. The film takes us into the mind of an increasingly paranoid, hate-filled Vietnam war veteran turned cabbie. Schrader’s screenplay was originally written with the mindset of giving a voice to someone he feared becoming and as a result, Travis Bickle isn’t exactly a likable protagonist. He’s an antihero, but one that you can’t fully root for because of certain motivations. One scene before the brutal climax keeps him drastically far from the graces of being a good person. Thus, TAXI DRIVER is an unnerving trip down the rabbit hole of a deranged driver.
Robert De Niro (fresh off the success of THE GODFATHER: Part II and Scorsese’s MEAN STREETS) puts in some of his finest work as Travis Bickle. He becomes the character to the point where you don’t feel like you’re watching De Niro anymore and that effect is frightening. Though it’s been parodied and referenced to no end, the “You talkin’ to me?” scene is scary within the film’s context…especially given everything that follows the iconic moment. Travis Bickle is truly one of cinema’s most repugnant protagonists, which is an extremely positive quality when you look at this film’s plot and De Niro’s performance.
TAXI DRIVER doesn’t give its supporting characters a ton of screen time because this film is all about Travis and his interactions with the world. Of the people Travis does interact with, Peter Boyle steals a profound scene as the advice-spewing “Wizard.” Fun fact: Peter Boyle later repeated his monologue on EVERYBODY LOVES RAYMOND with a laugh track accompanying it. As Iris, a very young Jodie Foster shows remarkable maturity and talent in the demanding role. Though she has about five total scenes, Foster’s character certainly leaves an impression on the viewer that’s similar to her effect on Travis. Cybill Shepherd has cringeworthy awkward moments as Bickle attempts to woo her in horribly misguided ways (hot date to a seedy porno theater, anyone?). The only bad performance comes from an out-of-place Albert Brooks as would-be comic relief.
Harvey Keitel shines as villainous pimp Sport and makes a serious impression with less screen time than Foster’s teenage prostitute. The rest of the bad guys are briefly glimpsed, but seem perfectly cast in their scummy roles. There’s an eerie realness to TAXI DRIVER that still holds up to this day. The story never gets all-out violent (save for one small scene) before the shocking finale, but there’s a sense that Travis might unravel at any moment. People usually go to the movie theater to escape from reality for a little while, but TAXI DRIVER offers no such comfort by forcing us to stare at some horrible truths and never giving the viewer anything hopeful to latch onto. There’s no uplifting scene in this film as even the bloody conclusion has an ironic punchline.
Watching TAXI DRIVER is not a pleasant experience, but it’s an amazing one nonetheless. Robert De Niro’s performance is astounding as he transforms into a psycho cabbie violently looking for a life purpose. The grit and grime of 70’s New York feel like they come through the screen and stick to the viewer, prompting one to crave a shower afterwards. There isn’t much of a story as you’re spending time with an uncomfortably realistic character study. TAXI DRIVER is madness and hell captured in 70’s cinema. It’s a fantastic movie that’s worth a watch for any cinephile, but expect to feel dirty and depressed afterwards.