Review by Derrick Carter
Running Time: 1 hour 46 minutes
MPAA Rating: PG-13 for some Suggestive Content and Smoking
Directed by: Joel Coen & Ethan Coen
Written by: Joel Coen & Ethan Coen
Starring: Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, Channing Tatum, Alison Pill, Christopher Lambert & Clancy Brown
The Coen brothers make unique movies. You can automatically tell if you’re watching a Coen brothers film from the offbeat dialogue, awkward humor, or quirky characters. Something about their filmmaking and screenwriting is instantly recognizable. HAIL, CAESAR! is their latest film and its an oddball comedy that satirizes Hollywood’s Golden Age in hilariously weird fashion. Featuring a cast full of A-listers who seem to be having the time of their life on set and using a screenplay that’s impossible to predict, HAIL, CAESAR! is the kind of film that reminds me why I love movies to begin with and the sheer beauty (and questionable studio politics) within the industry itself.
Eddie Mannix is a Hollywood fixer for the illustrious Capitol Pictures. The studio’s biggest film of the year is HAIL, CAESAR! (think BEN-HUR), a biblical epic featuring the biggest movie star: Baird Whitlock. However, something strange has occurred on the set. Whitlock has gone missing and a ransom note reveals that this is a kidnapping set to the tune of a $100,000 ransom. Mannix tries to track down Whitlock, while other cinema-related shenanigans break out in the studio. DeeAnna Moran (based on Esther Williams) is pregnant with a child out-of-wedlock, while marble-mouthed Hobie Doyle (think John Wayne crossed with Kirby Grant) has been called as a last-minute replacement in a classical drama. Mannix rushes to find complex solutions to all of these dilemmas in the space of a single stress-filled day.
HAIL, CAESAR! is both a love letter to classical Hollywood cinema and a merciless riff on it. It makes for a film that’s hugely entertaining, captivating, and hilarious to watch from start to finish, even if you’re not necessarily familiar with the old-fashioned material that the Coens are lampooning. The entire audience in my theater was cracking up throughout the entire film at the oddball humor, goofy twists, and utter silliness of the story. The film is very light-hearted, but also carries profound writing in Mannix having his own personal arc/revelation develop during the course of the story.
The visuals are shot in vibrant colors that illuminate off the screen and the film’s sets are elaborate. It’s hard to believe that the Coen brothers were able to recreate the 50’s in such detail on a meager budget of 22 million (which is nothing compared to most big films today). This is the kind of movie that I want to pause scene to scene in order to notice the smaller touches placed throughout each frame (movie posters at the studio, household appliances, etc.). HAIL, CAESAR! is a gorgeous film to look at and you can never fully predict where its story will head next. I kept wishing that Mannix’s various jobs and the amusing studio problems would go on long past the end credits.
Performances from the cast are top-notch. Their colorful characters were inspired by Hollywood icons of the past and could easily serve as main protagonists in their own individual films. Josh Brolin landed the leading role as Eddie Mannix (based on the real-life “fixer” of the same name) and plays the part to perfection. Mannix is not without his flaws (he has a tendency of slapping certain problems away), but he’s a fascinating character to watch. I particularly enjoyed his personal story arc (which I won’t spoil here) that evolves over the varying degrees of chaos he endures in a single day’s time.
George Clooney is hilarious as the overacting Baird Whitlock and receives some of the funniest moments of the entire film, but Alden Ehrenreich steals every scene he’s in as Hobie Doyle. His interplay with Ralph Fiennes’s frustrated director is utterly hysterical to behold. Channing Tatum also gets an equally hilarious moment to shine in a musical number (which had me laughing to the point of tears). Also worth mentioning is Tilda Swinton as twin gossip columnists (inspired by Hedda Hopper).
HAIL, CAESAR! pays tribute to and simultaneously nails studio politics in a nutshell. This includes the Coen brothers shining amusing lights on: religious leaders critiquing potentially offensive content in films, disastrous last-minute studio casting decisions, intense production difficulties, multiple behind-the-scenes antics (that aren’t entirely unbelievable), early tabloid journalism, and certain controversies of the time. The films within this film are spot-on parodies of specific genres (musicals, biblical epics, dialogue-heavy dramas, and westerns). Though I do wish that certain subplots had received more screen time (we get a couple of plot points explained away via exposition dialogue), HAIL, CAESAR! is a unique and completely hilarious cinematic experience. This is the first great film of 2016!