Review by Derrick Carter
Running Time: 2 hours 13 minutes
MPAA Rating: PG-13 for Action Violence and Sexuality
Directed by: Lee Tamahori
Written by: Neal Purvis & Robert Wade
Starring: Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike, Rick Yune, Judi Dench, Will Yun Lee, Kenneth Tsang & John Cleese
The twentieth movie in the Bond franchise and eleventh in my 007 retrospective, DIE ANOTHER DAY marked the end of the Pierce Brosnan’s stint as the iconic secret agent. In the grander scheme of thing, it also technically serves as the conclusion of the original series and caused its studio to reboot the franchise. In other words, DIE ANOTHER DAY has a pretty bad reputation for wrecking James Bond to the point where the series needed to be remade. So, is this a colossal failure? Is DIE ANOTHER DAY the BATMAN & ROBIN of Bond? I wouldn’t go that far, because there are a couple of things I like about this “final” Bond movie. That being said, this is still pretty bad.
James Bond’s latest mission has taken into dangerous North Korean territory. When his cover is blown, Bond is taken captive and suspended as an MI6 agent. Through a few cunning decisions and sheer dumb luck, Bond escapes and tries to track down a crazed terrorist from his past. This will require Bond partnering up with catsuit-wearing NSA agent Jinx. The two spies are forced to face off against a terrorist with diamond-acne and a super-weapon-wielding entrepreneur.
Let me address the good stuff first. I really enjoyed the prologue in North Korea. The action may be bombastic, but there’s a sense of excitement that reminded me of GOLDENEYE‘s opening. It also set up this story with a ton of potential…and then everything goes down hill as soon as the opening titles roll. The problems begin in the titular song of the credits, which doesn’t sound like it even belongs in a Bond film. This just sounded like a random pop song that was thrown in at the last-minute. As the minutes tick forward from that point on, DIE ANOTHER DAY wastes away its potential on pointless scenes, a bored Brosnan, and a screenplay that’s riddled with plot holes. The story feels too clichéd and over-the-top, even for a Bond film (which can typically be far-fetched, but fun). Besides the opening sequence, the only other moment that sticks out for good reason is a fencing scene between Bond and the main villain. As cool as that sequence is, it only raises further plot holes once a few convenient (and stupid) revelations occur during the final third.
Brosnan seems past his point of caring to be Bond. His performance in this film is even more apathetic than his purely-for-the-paycheck effort in WORLD IS NOT ENOUGH. As far as villains go, only one performance stands out and I won’t give that cast member’s identity away for fear of spoilers. However, I appreciated this person’s contribution to the film and wish that their character served as the main villain instead of a mere plot device. Halle Berry headlines the film with Brosnan and doesn’t really feel like a Bond girl at all. Instead, it almost feels like CATWOMAN got crossed with a crappy Bond flick. Speaking of which, DIE ANOTHER DAY is on the same level as CATWOMAN’s special effects. We get some shockingly crappy visuals. These include cartoony electricity (courtesy of the main villain’s super suit), Flash Animation quality lasers (that don’t blend well with a fight scene), a Syfy-level melting ice palace, and a rubbery surfing Bond aided by a fake-as-hell parachute.
DIE ANOTHER DAY came out on the 20th anniversary of DR. NO. Throughout this twentieth Bond flick, there are little nods to the other movies (e.g. the shoe-knife in FROM RUSSIA WITH LOVE, the rocket-pack from THUNDERBALL, etc.). All these little cameos only served to remind me how badly this final Brosnan entry screwed the pooch. The original Bond series survived decades of directors, actors, and varying levels of effects. However, none of that could endure after DIE ANOTHER DAY sent everything plummeting into such a rut that a reboot not only became preferable, but transformed into a damn necessity. The original Bond series ended with a whimper as opposed going out with a glorious bang…