Review by Derrick Carter
Running Time: 2 hours 5 minutes
MPAA Rating: R for Strong Sexual Content, Nudity, Language and some Drug Use
Directed by: Judd Apatow
Written by: Amy Schumer
Starring: Amy Schumer, Tilda Swinton, Bill Hader, John Cena, Brie Larson, Colin Quinn & LeBron James
Romantic comedies aren’t exactly the kind of films that can majorly change over time. You have two people who fall in love with each other before encountering turbulence in their relationship that threatens to separate them before eventually reuniting and rekindling their affection for each other. It’s a well-known, often-used formula that’s associated with rom-coms and chick flicks. While TRAINWRECK doesn’t buck that decades-old trend, it happens to be directed by Judd Apatow (the man behind KNOCKED UP, one of my favorite rom-coms) and was penned and stars Amy Schumer. So with a hard R rating and crude sensibilities, TRAINWRECK should more than please couples who enjoy dirty-minded comedy with a soft side. It’s that sort of movie.
Ever since she was a child, Amy was hammered with the idea that monogamy wasn’t realistic. As result, Amy has grown into a loose, heavy-drinking, drug-using writer working for a tabloid magazine. She’s never had a committed relationship, because she never thought that lifestyle was for her. This all changes when she’s assigned to write an article on sports doctor Aaron. Aaron is the polar opposite of Amy. He’s a conservative, nerdy guy and hopeless romantic. Somehow, Amy and Aaron hit it off well during an interview and go out for dinner. Dinner turns into drinks and drinks turns into sleeping together. Aaron has fallen head over heels for Amy and she’s trying to cope with the fact that she’s finally found someone she loves. That’s the set up and it’s not exactly hard to guess where the film goes from there, but it’s highly entertaining to watch.
TRAINWRECK isn’t exactly immune from clichés of the rom-com formula, but openly mocks them as it goes along. The screenplay is especially impressive seeing that it’s the first actual full-length narrative that Schumer has written as her past work consists of skits and stand-up comedy. It definitely helps if you like her material (and I do) as her crude sense of humor and talent both translate well onto the screen. The movie throws in a lot of fun plot details and manages to get a lot of mileage out of them. A ton of laughs come from Amy’s job at the Tabloid magazine (especially her mentoring an oddball intern) and frequent conversations with a homeless man on her street. As crude and lewd as TRAINWRECK can be, the film has a definite sweet side as well. A lot of the movie hinges on Schumer’s performance and she brings her character to the screen very well. In other hands, this character could have been downright despicable and unlikable on all fronts. However, we realize she’s a damaged woman with a lot of baggage. Watching her journey is an enjoyable experience, even when you don’t agree with her actions.
As far as the rest of the cast goes, everyone else delivers in their parts. Bill Hader (who has been on a roll lately with THE SKELETON TWINS and INSIDE OUT) plays Aaron as someone we can sympathize with. While he’s not so much of the focus of the film as Amy is, the two have good chemistry together as a couple. Meanwhile, LeBron James is hilarious as an exaggerated version of himself. Brie Larson is great as Amy’s polar opposite sister and Mike Birbiglia is well-cast as said sister’s husband. I was surprised by John Cena’s performance. I haven’t seen him in much (besides the godawful MARINE), but Cena impressed as Amy’s ultra-sensitive beefcake fling. He’s not a huge character, but makes the most of every scene he’s given. The biggest problem in TRAINWRECK comes with pretty much every Apatow comedy of late. The running time is too long. It’s not enough to dissuade anybody from watching this movie, but there are scenes that definitely could have been removed entirely and nothing would be missed (e.g. one useless montage and an “intervention” scene that only serves as an excuse for a few cameos). It feels like TRAINWRECK definitely could have benefitted from more time in the cutting room.
TRAINWRECK is a dirty-minded, foul-mouthed rom-com with a heart of gold. Much like KNOCKED UP, the movie feels very honest in spite of its unavoidable clichés. Amy Schumer’s script is well-written and her performance is dramatically different from what you might expect from her. The film is definite date-night material for couples who happen to love Schumer’s comedy. You could do far, far worse in the chick flick department. Dare I call TRAINWRECK the best chick flick I’ve seen in a long time. I think I shall. If it sounds up your alley, give it watch!