Review by Derrick Carter
Running Time: 2 hours 7 minutes
MPAA Rating: PG-13 for some Violence, Sequences of Sci-Fi Action, some Suggestive Content and partial Nudity
Directed by: Lana Wachowski & Andrew Wachowski
Written by: Lana Wachowski & Andrew Wachowski
Starring: Mila Kunis, Channing Tatum, Eddie Redmayne, Douglas Booth, Sean Bean, Tuppence Middleton, & Terry Gilliam
Ever since the MATRIX sequels, it seems like people are quick to rip apart the Wachowski siblings. While I don’t necessarily find RELOADED and REVOLUTIONS to as all out terrible as many do, I can fully admit that they’re nowhere near the level of the original MATRIX. The siblings quickly moved on from their newly carved science fiction trilogy to work on other interesting (if not financially successful) titles. V FOR VENDETTA is one of my favorite movies. I didn’t bother watching SPEED RACER (it doesn’t really appeal to me), but it looked like it was visually stunning. CLOUD ATLAS wound up being one of my favorite films of 2012 and I consider it criminally underrated. This all being said, JUPITER ASCENDING is the Wachowskis taking on aliens and winds up as an enjoyable (though flawed) space opera.
Jupiter Jones is an illegal immigrant making her living through cleaning houses. She lives a fairly boring and mundane life. However, her world is far bigger than she imagined. For some unforeseen reason, Jupiter has become marked for death by an evil intergalactic ruler. Rescued by a splice (half-man, half-wolf) named Caine Wise, Jupiter discovers the true origins of Earth and her ultimate destiny. This also puts her in the path of the powerful Abrasax dynasty (three heirs with different motives). Jupiter is put on an adventure that will decide not only her fate, but the fate of mankind.
JUPITER ASCENDING is a fun, goofy science-fiction adventure. The scale is highly ambitious and so are most of the ideas at work, although some plot points are familiar. The Wachowskis incorporate a concept used in their MATRIX trilogy through a not-so-subtle way (complete with long-winded speech from a villain). Even so, there’s a lot of creativity to be seen which include little winks at alien mythology (e.g. crop circles, conspiracy theorists, etc.). Some of the ideas don’t necessarily work though. Creatures called splices (half-man, half-animal) play a big part in the proceedings. While some of them look cool (Channing Tatum, a rat-like henchman), others look downright ridiculous (an owl guy and an elephant pilot). The sillier looking creatures kept me from being fully immersed in the story, which essentially boils down to a dysfunctional family feud over who owns the Earth.
Performances range from good to awful. Mila Kunis and Channing Tatum are enjoyable in their roles, but they don’t necessarily seem to make these characters their own. Sean Bean is a welcome presence as a disgraced splice (half-man, half-bee) and there aren’t any other real heroes of note. The Abrasax dynasty reminded me a lot of the Henry VIII and his violent children. I kept thinking that their characters resembled the Tudors in space. Douglas Booth and Tuppence Middleton are solid in their roles as two powerful heirs, but Eddie Redmayne is awful. He uses a misguided soft-spoken, weirdly accented delivery that becomes unintentionally hilarious at points. Redmayne is supposed to be the menacing big bad villain, but comes off instead like a spoiled brat.
Mixed bag acting and somewhat derivative story aside, JUPTER ASCENDING has great action sequences and lots of them. The design of some of the aliens (aforementioned splices, little green men, and winged reptiles) can be a tad distracting, but there’s still much excitement to be had in these long scenes. This being said, there are some downright painful moments of comic relief involving Jupiter’s family back on Earth. It’s a bit jarring to go from an intense space battle to a family dinner of people yelling at each other. These latter scenes feel like they’re from a completely different film. However, they’re mercifully short-lived compared to all the aliens, spaceships, and intergalactic politics.
Though it’s far from great or arguably good, JUPITER ASCENDING is a decent flick. The film has its share of problems (silly creatures, brief tonal shifts, and Eddie Redmayne’s annoying villain), but has more strengths (beautiful visuals, huge ambition that pays off in areas, cool plot points, and exciting action scenes). I was entertained from start to finish and that’s really what I hope for in a space opera. There are definitely flaws in the film, but it’s nowhere near the disaster that many are calling it. You might be surprised by how much you actually like JUPITER ASCENDING.