Review by Derrick Carter
Running Time: 2 hours 10 minutes
MPAA Rating: PG-13 for Sequences of Intense Sci-Fi Violence and Action, some Suggestive Material, Nudity and Language
Directed by: Bryan Singer
Written by: Simon Kinberg
(based on the comic books DAYS OF FUTURE PAST by Chris Claremont & John Byrne)
Starring: Hugh Jackman, James McAvoy, Patrick Stewart, Michael Fassbender, Ian McKellen, Jennifer Lawrence, Halle Berry, Anna Paquin, Ellen Page, Peter Dinklage, Nicholas Hoult, Shawn Ashmore, Omar Sy, Daniel Cudmore, Booboo Stewart, Fan Bingbing, Adan Canto, Evan Peters, Josh Helman & Lucas Till
How far comic book movies have come. If you traveled back to 2000 and told any X-Men fan that there would be seven films in the series with the Days Of Future Past storyline being covered in a 2014 installment, they probably would have either groaned (in fear of Hollywood screwing it all up) or laughed in your face (taking the whole thing as wishful thinking). Through the great entries (X-MEN 2 and FIRST CLASS) to the just plain bad (ORIGINS: WOLVERINE and X-MEN 3), the X-MEN series has seen good times and rough spots. DAYS OF FUTURE PAST (the seventh movie!) is the most accomplished film in the series. This is a superhero fan’s wet-dream come true and I’ll be surprised if it doesn’t wind up being the best (and biggest) movie of Summer 2014. So many things could have gone wrong in the ambitious scope of this project. Tons of characters are sprawling over two different time periods and the plot might have easily wound up in confusing convoluted areas. With original X-MEN 1 & 2 director Bryan Singer directing, FUTURE PAST easily winds up being one of the best superhero movies of all-time and takes bold new directions for the franchise.
The future is a bleak wasteland. Mutant-hunting robots called Sentinels have run rampant and civilization is in ashes as mutants are being reduced to an endangered species. As well-known mutants are dying left and right from these killing machines, one last hope emerges. Kitty Pryde (a.k.a. Shadowcat seen in X-MEN 3) has developed a mutation that allows the consciousness of a person to be taken back in time. In order to avert the event that caused the 50-year downward spiral of the creation of the Sentinels, Wolverine’s consciousness travel back to his 1973 self in order to change the future. This means finding a disheveled Professor X, a locked-up Magneto, and a vengeance-seeking Mystique before history repeats itself or the future winds up on a potentially darker course. To give too many details away would spoil some of the fun to be had in this superhero extravaganza. Comic book nerds and those who have a vague recollection of the “Future Past” storyline will find that creative liberties have been taken, but it all works out in favor for an infinitely satisfying summer blockbuster that delivers on every level imaginable.
Immediately taking a darker tone than any of the previous installments, FUTURE PAST makes it clear that everything hinges on the journey that Wolverine and the younger mutants are taking in order to save the world. Employing the use of every single big mutant imaginable and some really cool nods to the previous films, this is most definitely a movie made for fans. I can’t imagine anyone walking into this seventh X-MEN movie without having seen the original movies, but it’s pretty much required to have watched them all or you’re going to be severely lost. It’s not as if the movie is so convoluted and intricate that it requires you having finished a marathon of the series mere hours before walking in, but it helps if you’re an X-MEN movie junkie.
The time-traveling aspect of the movie could have easily been a B-movie level gimmick, but the way it pertains to the plot and how it’s being used makes all the difference. Everything being played so straight-faced in this would-be ridiculous scenario works as movie magic on the audience to treat it seriously and invest their emotions into watching everything play out in front of your eyes. FUTURE PAST is a movie so gripping, exciting, and well-paced from frame one that I felt as if I was in the film. That’s the primary purpose of this visual art-form to begin with. Movies are meant to suck you into a completely other world and kept you in that universe for the running time. For a movie running at over two hours, everything is extremely well-paced. Nothing is left to drag and my anxiety levels were going up for the characters as story got drastically more complicated.
The brilliance of FIRST CLASS (which is easily the second highest entry in the series) combines with the balls-to-the-wall creative nature of X-MEN 2 (the third highest entry in the series) in DAYS OF FUTURE PAST. It’s a game-changer in the series that has left me excited for the many more sequels there are to come (it’s been reported that some of the newcomers have signed on for four more films). Things have changed. An impact has been made. The wrongs of the two lesser entries have been corrected in the writing of this latest installment. This is a superhero movie that absolutely shines out of, not only the X-MEN series, but the entire comic book film genre as a whole. Christopher Nolan brought us the DARK KNIGHT trilogy and it seems like Singer’s X-MEN is more than willing to be a substitute for that series!
What else can I really say that you don’t already assume? Every cast member (despite how small some of their roles are) does a fantastic job in their parts. Some reprising characters for the sixth time now and others are fresh faces, but they all play on the same level of competent talent. DAYS OF FUTURE PAST is awesome! It’s absolutely awesome and plays on an epic scale. Those two words (awesome, epic) are overused in this internet age, but they truly apply to this latest sequel. One of the most complex storylines in the comics has made its way to the big screen in brilliant fashion. FUTURE PAST is probably going to wind up being the biggest movie of the summer. It’s one of the best films 2014 has to offer (thus far). This makes me so excited to see all the things that are coming next, beginning with APOCALYPSE in 2016.