Review by Derrick Carter
Running Time: 2 hours 18 minutes
MPAA Rating: PG-13 for Violence, Disturbing Images and brief Suggestive Content
Directed by: Darren Aronofsky
Written by: Darren Aronofsky & Ari Handel
Starring: Russell Crowe, Jennifer Connelly, Ray Winstone, Emma Watson, Logan Lerman, Anthony Hopkins, Douglas Booth, Frank Langella, Marton Csokas, Madison Davenport & Nick Nolte
Biblical epics are nothing new. Since the art of filmmaking has been around, talented (and not so talented) directors have been putting scripture stories into cinematic form. It’s odd that the story of Noah’s ark has only been brought to film twice before. I have yet to see the 1929 silent film and the 1999 made-for-TV movie looks embarrassingly bad. Darren Aronofsky’s film version of the tale is sure to be a divisive one. Instead of staying completely word-for-word true to the source material, Aronofsky plays everything as a sort of fantasy epic. It is ironic that the people who might enjoy the film also might condemn it on sight. I’m not speaking of religious people, but atheists. There are admittedly stupid decisions here and there in Aronofsky’s storytelling (one of which definitely knocks this movie a notch down on my grade factor), but I found NOAH to be a stunning piece of work that stays true to the themes and overall message of the Bible story, even if it’s not close enough to the material for many viewers’ comfort.
For those who have utterly no knowledge of the tale (despite it being prevalent through many different religions), Noah is a good man in a world of wickedness. He has visions from God (or as they only refer to him in the film: The Creator) that inform him of the impending destruction of the world. The Creator plans to wipe everything clean with a massive flood that will cover the entire planet. With the help of fallen angels in stone form (more on that in a moment), Noah constructs a massive ark that will carry two of each animal safely through the watery doom. The evils of man pose a threat as the king (descendant of Cain) plans on taking the ark from Noah by force when the flood arrives.
One thing should have immediately stuck out from that previous paragraph that is vastly different from the Bible story and that’s the rocky fallen angels helping Noah out. These beings looked like the Rockbiter from NEVERENDING STORY (big strong hands) and the fact that they do talk in gravely voices made it even more awkward to watch. The first 15 minutes featuring these beasties front and center are a bit shaky to say the least. However, it does get to a point where they are merely means to an end in the background. I did like what they resolved these creatures with as well. There are other fantastical elements added as well, but I thought these other ideas were integrated very well into the story.
The really interesting stuff comes after those first 15 minutes. The film is the Noah’s Ark story, but new ideas have been thrown into the mix that make Noah a much more fleshed out character. He’s portrayed as very flawed and faces tough choices before the flood arrives and while on the ark. The supporting cast of Noah’s family includes familiar faces too. Jennifer Connelly is great as Naameh (Noah’s wife) and delivers some really heart-wrenching emotional moments. Logan Lerman (PERKS OF BEING A WALLFLOWER) plays the rebellious son named Ham and does it well. Meanwhile, Emma Watson is nothing short of amazing as Ila (an adopted daughter of sorts to Noah’s family). Anthony Hopkins also appears in about four scenes as Noah’s wise grandfather. Ray Winstone is a gruff and intimidating figure in his most notable roles. As King Tubal-Cain, he shines. This is the arch-enemy of Noah and there’s more to this character’s story than meets the eye. I really liked where director/writer Aronofsky took things with this plot-thread. Finally, there’s Russell Crowe himself as the title character and he gives a powerhouse performance as Noah. You feel his desperation, his struggle, and see where he’s coming from (even if you don’t agree with some of his actions).
Effects-wise the film is absolutely amazing to behold. This is spectacle done almost perfectly. It’s a movie made to be seen on the big screen and it certainly adds power that the story’s so compelling. For all the mistakes in the opening that hint at an awkward experience shown in the beginning, NOAH gripped me more as the film went on longer. Once the flood comes and the family is aboard the ark with all the animals, you’d think the film would slow down. Instead, it went in a much more human-nature oriented direction that I imagine a lot of Bible purists won’t approve of, but I found it to be very deep and profound. The flood sequence itself and the battle leading up to it are awesome. There is a stark raw brutality around the film that must be respected too. The Bible had uplifting messages in its stories, but plenty of them weren’t pretty and the same can be said of this film adaptation. There were a couple of scenes that really shocked me at how dark Aronofsky decided to go with this material.
Even though this story has been given almost a sort of LORD OF THE RINGS epic treatment, the message is still at the heart of this film. The concepts of sin, repentance, human life as a gift, giving thanks for blessings, and things happening for a reason are all examined in a respectful way. It’s ironic that atheists might enjoy this film a lot more than most Christians. The religious relatives I saw the film with thought it was boring and just not very well made. I heartily disagree. There is one dumb decision (those lame rockbiters), but everything else is absolutely awesome. It’s a slightly flawed biblical epic that I plan on revisiting many times in the future. Worthy of seeing on the big screen!