Review by Derrick Carter
Running Time: 1 hour 40 minutes
MPAA Rating: R for Language, some Sexual Content and Violence
Directed by: Wes Anderson
Written by: Wes Anderson
Starring: Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Jude Law, Harvey Keitel, Bill Murray, Edward Norton, Saoirse Ronan, Lea Seydoux, Jason Schwartzman, Tilda Swinton, Tom Wilkinson, Owen Wilson & Tony Revolori
Wes Anderson has gained a reputation over his career for unique style and an oddball sense of humor. Anderson’s newest film carries an air of sophistication and the logistics of a cartoon. Layered with quirky sensibilities and having a genuine heart at the center, THE GRAND BUDAPEST HOTEL is my favorite film of the year thus far! This already has a spot reserved on my Best of 2014 list. The entire affair is an absolutely entrancing experience of wonderful magic that only phenomenal filmmaking can bring.
Beginning in the present, a young girl visits a memorial and reads a book by a character known simply as “The Author.” The film then cuts back to the 1980’s to find the Author describing a trip he made in the 1960’s. Flashing back to the 1960’s, we see a younger Author meet the elderly owner of the once prestigious/now rustic Grand Budapest Hotel. This elderly fellow relates the tale of how he came to own the Grand Budapest. So to break this down we open with a narration within a book that takes us to a flashback that then takes us to another flashback. Instead of coming off as convoluted in the slightest (as it almost certainly would have in any other film), this technique offers satisfying bookends to the main story at hand. Speaking of which…
Set in the 1930’s, the main plot (e.g. the elderly owner’s story) is the tale of a famous concierge and his loyal lobby boy. The concierge is Gustave H., a philosophical and poetic gentleman, who takes to romancing many of the rich elderly (blonde) women who frequently visit the hotel. The lobby boy is Zero, a refugee from a less fortunate country, who has found a fatherly figure and devoted friend in Gustave. After Madam D (a former lover of Gustave) is found murdered, a priceless painting (titled Boy With Apple) is left in the possession of the two. Unfortunately for Gustave, something sinister is afoot and he’s been framed for Madam D’s death. Zero must rise up to the occasion, band together with Agatha (love of his life and candy-maker), and prove Gustave’s innocence!
From the onset, there are many things unusual about THE GRAND BUDAPEST HOTEL. Model work was done for the landscape shots and the film has a candy-colored sensibility in nearly all of the sets. Everything has been put together with care and attention to detail. In its most unusual opening, the viewer is sucked into the oddball world of this story. A thick atmosphere covers the whole thing like frosting on one of Agatha’s cakes. The amazing soundtrack adds even more flavor and perfectly encapsulates the tone of the movie. It should also be noted that the frame ratio of the film changes based on the time period the film is currently in. For example, its widescreen (2.35:1) in the present day, goes down to 1:85 when the Author is relating his story, and goes to traditional 1:33 for Zero’s tale. Purposely executed, this added yet another sense of wonder to an already amazing film.
The film sports a large cast of big names. Some of these notable actors only appear for a minute or two, but their presence was a nice touch. Tony Revolori doesn’t have a long list of titles to his name, but delivers as young Zero. It’s easy for the viewer to sympathize with his bad history and root for him to overcome the odds to get his beloved mentor back. Speaking of which, Ralph Fiennes is simply brilliant as Gustave H. This character goes from waxing poetic to fowl-mouthed ruffian in the blink of an eye. Though the character might have come off as a quirky scumbag in any other film, Fiennes makes him into lovable guy. There’s certainly something to be said for that. Adrien Brody and Willem Dafoe both appear as villains. Brody is hysterical as the ill-tempered fascist son of Madam D. His off-the-cuff profanity is only outweighed by Gustave’s frequent outbursts. Dafoe is a quiet, intimidating, leering man whose fashion sense includes a constant pair of brass-knuckles. Last but not least, Saoirse Ronan is Agatha. Though her character isn’t devoted nearly as much time as Gustave or Zero, she’s an essential part of the film.
As the old saying goes, all good things must come to an end. This was the case when the end credits began to roll on GRAND BUDAPEST HOTEL. The film is a true crowd-pleaser in every sense of the term. The humor is hilarious, but there’s also an unspoken sentimental factor that doesn’t truly reveal itself until the final moments. In some comedies, this might be uncalled for or felt forced. In GRAND BUDAPEST HOTEL, every emotion is genuine and absolutely earned. The best way of describing the magic and wonder this film holds is by saying it’s an adult story set in an absurd fairy-tale landscape. Walking out of the darkened movie theater, a nearly overwhelming wave of awe washed over me from the whole adventure I had just gone through with a colorful cast of characters. THE GRAND BUDAPEST HOTEL is phenomenal and nothing short of a masterpiece!